Monday, July 07, 2025

Art, Symbolism, and Creative Interpretations: The Tarot

Today, I am enjoying using a new copy of the:
Voyager Tarot, Intuition Cards for the 21st Century
By James Wanless, Ph.D.. Artist Ken Knutson. 
78 full color collage art Tarot cards.  117 page mini booklet. 
Fair Winds: ISBN 978-1-59233-322-6, 2017.  First edition 1984.  


Has anyone seen a chart or list correlating the 78 cards in the Voyager Tarot (or other Tarot decks) with the 64 Hexagrams of the I Ching???

For examples:

I Ching Number = Tarot Card Name

#1 Creative, Initiating = Magician, 1

#4, Childhood, Youthful Folly, Impermanence = Fool, 0

#52 Mountain = Hermit, 9

During a morning Voyager Tarot card reading, I usually select one card as the most significant for the day.  I would like to write on each Tarot card the corresponding, related, correlated, comparable, similar themed, or relevant I Ching Hexagram Number.  

Also, this is a different way for selecting an I Ching Hexagram other than yarrow sticks or coin tossing.  





A Repost from 2018:



I first purchased and used Tarot decks in 1979.  I studied numerous books on the subject of the Tarot.  I purchased numerous decks over the decades.  First, I enjoyed the variety of artwork and symbolism in the 78 cards in the different decks from different centuries.  Second, the creator of each deck brings some new insights into the overall structure and meanings for the cards in the deck.  Third, I enjoyed "reading" and creatively interpreting the symbols and images in these small art objects in the context of my own life and questions.  

I even made, in 2011, some very incomplete notes in hypertext documents on the Tarot.

My method over the years is to ask a question or reflect on my current consciousness and situation in my life.  Then, I randomly pull from 3 to 5 cards from the deck.  I try to interpret, reflect upon, and consider the meaning of each card.  I may use The Voyager Tarot book to refresh or expand my understanding or memories.  Then, I arrange the cards in some order to "tell a story."  I do this once a day, at night; then, in the morning, reconsider the meanings and relevance of that 3-5 card reading in my life.  I only look at cards right side up; although, I do sometimes reverse the meaning of the cards depending upon the story I create.  

I enjoy using the 1991 Voyager Tarot deck the most.  

This photomontage deck was designed by James Wanless, Ph.D.  The photographic collage artwork was created by Ken Knutson.  It was first published in 1984, and then in 1991 and 2008. 

The Voyager Tarot: Way of the Great Oracle Book.  By James Wanless, 1989.  Book and Deck


 The Fool, 0

                          



The Wheel of Fortune, 10

                   

 

               

 



Sunday, July 06, 2025

Taoist Immortals

Chronicles of Tao: The Secret Life of a Taoist Master. By Deng Ming-Dao. Harper One, 1993, 476 pages. VSCL. Biography of Kwan Sai Hung.  (1920-...)  A fictional Taoist Master/Immortal.  

"Some of the Masters of Mount Huashan were already addressed as "Immortal."  These were highly regarded individuals, agless in appearance.  Their titles meant "realized persons," signifying that the Masters has fulfilled, as a minimum requirement, the completion of internal alchemy for the sake of longevity, liberation from the cycle of transmigration, enlightened perception of the nature of life, astral travel, and the total memorization of the hundreds of volumes comprising the Taoist Canon." - Chronicles of Tao, p. 69  

Bat Immortal, Yin-Yan Immortals, Frog Immortal ...






Eight Immortals - Wikipedia

Xian - Wikipedia

Xian (Chinese仙/仚/僊pinyinxiānWade–Gileshsien) refers to a person or similar entity having a long life or being immortal. The concept of xian has different implications dependent upon the specific context: philosophical, religious, mythological, or other symbolic or cultural occurrence. The Chinese word xian is translatable into English as:

  • (in Daoist philosophy and cosmology) spiritually immortal; transcendent human; celestial being
  • (in Daoist religion and pantheon) physically immortal; immortal person; an immortal; saint
  • (in Chinese alchemy) alchemist; one who seeks the elixir of life; one who practices longevity techniques
    • (or by extension) alchemical, dietary, or qigong methods for attaining immortality
  • (in Chinese mythology) wizard; magician; shaman; sorcerer
  • (in popular Chinese literature) genie; elf, fairy; nymph; 仙境 (xian jing is fairyland, faery)
  • (based on the folk etymology for the character , a compound of the characters for person and mountain) sage living high in the mountains; mountain-man; hermit; recluse
  • (as a metaphorical modifier) immortal [talent]; accomplished person; celestial [beauty]; marvelous; extraordinary
  • (In new-age conception) seeker who takes refuge in immortality (longevity for the realization of divinity); transcended person [self] recoded by the "higher self"; divine soul; fully established being

Xian semantically developed from meaning spiritual "immortality; enlightenment", to physical "immortality; longevity" involving methods such as alchemy, breath meditation, and tai chi chuan, and eventually to legendary and figurative "immortality".

Victor H. Mair describes the xian archetype as:

They are immune to heat and cold, untouched by the elements, and can fly, mounting upward with a fluttering motion. They dwell apart from the chaotic world of man, subsist on air and dew, are not anxious like ordinary people, and have the smooth skin and innocent faces of children. The transcendents live an effortless existence that is best described as spontaneous. They recall the ancient Indian ascetics and holy men known as ṛṣi who possessed similar traits.[1]


Saturday, July 05, 2025

A Guide to Well-Being and Personality Growth


"The important elements of personality growth are probably the achievement of enlightened self-interest, self-direction, tolerance, acceptance of ambiguity and uncertainty, flexibility, acceptance of reality, commitment, risk-taking, and self-acceptance.

People who are well-adjusted to themselves and to the social group with which they live are primarily devoted to being happy, gaining satisfaction, and avoiding truly noxious, painful, or depriving circumstances.  At the same time, they are also devoted to seeing that their fellow humans also survive and are reasonably happy.  While they are most interested in their own life and pleasure, they realize the importance of not needlessly stepping on others toes and unduly restricting their living space.  Consequently, they try to be non-harming to practically everyone, and select a relatively few individuals (because their time is limited) to actively befriend and care for.  They do not dishonestly pretend to be purely altruistic; but are authentically and realistically self-interested and socially interested, and therefore impose certain social restrictions on themselves.

People who have a mature and growing personality assume responsibility for their own thinking and living.  They are able to work independently at most of their problems, and while at times wanting or preferring the cooperation and help of others, do not need their support to create an inner sense of worthiness. 

Emotionally stable and growing people are highly tolerant of the desires and behaviors of other human beings, even though these may differ significantly from their own.  Even when others behave in a manner they consider to be mistaken or unethical, they acknowledge that because of people's essential fallibility, others have a right to be wrong.  While disliking or abhorring some of their partners' acts , tolerant people do not condemn them, as persons, for performing these unlikable acts.  The tend to accept the fact that all humans are remarkably error-prone, do not unrealistically expect others to be perfect, and refrain from despising or punishing others even when they make mistakes.

People who allow themselves room for growth tend to accept the fact that we live in a world of probability and chance, with no absolute certainties.  They demand no surefire predictions about the future and realize that it is not all horrible─indeed, it is in many ways fascinating and exciting─to live in a distinctly probabilistic, variable environment. 

The opposite of intolerance and the need for certainty is flexibility.  The emotionally growing individual consequently tends to be intellectually and emotionally labile, to be open to change, and to view without bigotry the infinitely varied people, ideas, and things that exist in the world.  The disturbed person, on the other hand, tends to be exceptionally narrow, rigid, and overly constrained.  Personality growth, in particular, would seem to be almost impossible to achieve if the individual is not open and flexible, for how can growing and remaining closed to change be compatible. 

What is usually called emotional disturbance and interference with personality growth stems largely from an unscientific, magical way of thinking─thinking that is particularly involved with irrational, dogmatic, and absolutist hypotheses.  If people would largely follow the scientific canons of reasoning in their personal lives, and would stop dogmatically musturbating, awfulizing, and whining about the many kinds of hassles and frustrations to which, as fallible humans, their are inevitably heir, they would not only rid themselves of much of their deep-seated feelings of anxiety, depression, guilt, and hostility, but give themselves leeway to discover, with lack of prejudice, what they really enjoy in life and how they can truly grow as human beings.  Reason is indeed a limited faculty and may never quite solve all the mysteries of life.  But for maximum emotional functioning, people had better be fairly flexible, open, and scientific, and be able to apply scientific thinking not only to external people and events but also to themselves and their interpersonal relationships.

Emotionally healthy individuals are usually committed to some large life plan or goal─such as work, building a family, art, science, or sports.  When they have steady personality growth they tend to be vitally absorbed in some large goal outside of themselves, whether it be in the realm of people, things, or ideas.  And they frequently have at least one major creative interest, as well as some outstanding human involvement, which is highly important to them and around which they structure a good portion of their lives. 

Emotionally sound people are able to take risks: to ask themselves what they would really like to do in life, and then endeavor to do it, even though they risk defeat or failure.  They try to be adventurous (though not necessarily foolhardy), are willing to chance almost anything once to see how they like it, and look forward to some breaks in their usual routines.  It this connection, it is interesting to note, that even some of the most self-actualizing and creative individuals spend so much of their time in routine, unadventurous pursuits that it takes something drastic, such as near death from a heart attack, to jolt them into a new sense of vital living and a greater degree of risk-taking to savor their existence.

Above all else, emotionally healthy and sane people are glad to be alive, and to full accept themselves just because they are alive, because they exist, and because (as living humans) they almost invariably have some power to enjoy themselves.  If they assess or rate themselves at all, they do so not on the basis of their extrinsic achievements or their popularity with others, but on the basis of their own existence─on their propensity to make an interesting, absorbing life for themselves."

-  Albert Ellis, The Albert Ellis Reader: A Guide to Well-Being Using Rational Emotive Behavior Therapy.  1998, pages: 69-82. 
From the essay titled "Sex-Love Adventuring and Personality Growth,' 1972.  For more on his liberal views on sexual psychology and behaviors, refer to "Sex Without Guilt" (1956) or his many other forward thinking and very popular books on the subject of sexuality. 

How to Live a Good Life: Advice From Wise Persons

Virtue Ethics


 



Friday, July 04, 2025

Cannon Cane: Eight Immortals Chen Taijiquan Cane Routine II

 

Eight Immortals Taijiquan Cane
Cannon Cane, Routine Two
Based on the Chen Style of Taijiquan

Created and Taught by Master Jesse Tsao, PhD.

List of Postures, Movements, Forms 

Section I

1.  Opening Form

2.  Lazily Tying Coat

3.  Six-Seal and Four Close
4.  Single Whip
5.  Striking Left and Right
6.  Wrapping Head with the Cane
7.  Uppercuts Left and Right
8.  Grand Eagle Spreads Wings
9.  Embracing the Moon
10.  Cat Catches Rat
11.  Golden Rooster Standing on One Foot
12.  Whipping Sleeves and Slamming Cane
13.  Overturn the Ocean
 

Section II

14.  Dragon’s Tail Stirring Water
15.  Pinwheel Cane
16.  Fair Lady Works at Shuttles
17.  Batting a Home Run
18.  Ruthless Lord Holds Up Flag
 

Section III

19.  Strike Low and Strike High
20.  Dragon Descends into Ocean
21.  Dragon Emerges from Water
22.  Parry Left and Right
23.  Turn-Around Strike
24.  Dragon Swings Tail
25.  Head Smashing Cane
26.  Lock Front Door
 

Section IV 

27.  Black Bear Turns Around
28.  Lock Back Door
29.  Heart Thrusting Cane
30.  Waist Blocking Cane
31.  Crotch Striking Cane
32.  Head Striking Cane
33.  Dragon’s Head Up
34.  Dragon Coiling Around Pillar
35.  Wind Devil Cane
36.  Closing Form

 

Mastering Tai Chi Cane for Health and Self-Defense. By Jesse Tsao, PhD. Tai Chi Healthways, 2022, 225 pages.


Traditional Tai Chi Eight Immortals Cane, Routine 2 (Cannon Cane, Chen Style).  By Jesse Tsao, PhD.  Tai Chi Healthways, Instructional DVD 62 Minutes. 

Way of the Short Staff  By Michael P. Garofalo, M.S.  A comprehensive guide to the practice of the short staff, cane, jo, walking stick, gun, zhang, whip staff, 13 Hands Staff, and related wood short staff weapons.  A detailed and annotated guide, bibliography, lists of links, resources, instructional media, online videos, and lessons.  Includes use of the short staff and cane in martial arts, self-defense, walking and hiking.  Separate sections on Aikido Jo, Cane, Taijiquan cane and staff, Jodo, exercises with a short staff, selected quotations, techniques, selecting and purchasing a short staff, tips and suggestions, and a long section on the lore, legends, and Magick of the short staff.  Includes "Shifu Miao Zhang Points the Way."

 Cloud Hands Taijiquan, Valley Spirit Center, Fir Grove, Vancouver, Washington.  List by Michael P. Garofalo, September 24, 2022. 










Eight Immortals Taijiquan Cannon Cane Routine

1.  Opening Form  Section 1

2.  Lazily Tying Coat

3.  Six-Seal and Four Close
4.  Single Whip
5.  Striking Left and Right
6.  Wrapping Head with the Cane
7.  Uppercuts Left and Right
8.  Grand Eagle Spreads Wings
9.  Embracing the Moon
10.  Cat Catches Rat
11.  Golden Rooster Standing on One Foot
12.  Whipping Sleeves and Slamming Cane
13.  Overturn the Ocean

14.  Dragon’s Tail Stirring Water  Section 2
15.  Pinwheel Cane
16.  Fair Lady Works at Shuttles
17.  Batting a Home Run
18.  Ruthless Lord Holds Up Flag

19.  Strike Low and Strike High  Section 3
20.  Dragon Descends into Ocean
21.  Dragon Emerges from Water
22.  Parry Left and Right
23.  Turn-Around Strike
24.  Dragon Swings Tail
25.  Head Smashing Cane
26.  Lock Front Door

27.  Black Bear Turns Around  Section 4
28.  Lock Back Door
29.  Heart Thrusting Cane
30.  Waist Blocking Cane
31.  Crotch Striking Cane
32.  Head Striking Cane
33.  Dragon’s Head Up
34.  Dragon Coiling Around Pillar
35.  Wind Devil Cane
36.  Closing Form

 


Tuesday, July 01, 2025

Treasury of the True Dharma Eye by Zen Master Dogen

Zen Master Eihei Dogen Zenji (1200-1253) 
Japanese founder of Soto Zen School Tradition.
Teacher, abbot, essayist, poet, Zen philosopher
His collected works are called The Treasury of the True Dharma Eye, Shobogenzo.

I first read Dogen's works in the book Moon in a Dewdrop translated by Kazuaki Tanahashi (1995, 368 pages); and in the book Rational Zen: the Mind of Dogen Zenji translated by Thomas Clearly (2001, 232 pages.)

I have read, studied, and adopted much from my study of Zen Buddhist literature since I was 14 years old.  I am a philosopher, but I have a interest in Taoism, and associated practices like some in Zen Buddhism.

Gudo Nishijima and Chodo Cross's four volume translation of the Treasury of the True Dharma Eye, Shobogenzo in 2021.

Unfortunately, the Kindle Version of Nishijima is very poor, and cheap ($7.00), so I purchased the paperback copies at $18.00 - $27.00 each.  

The new Kazuaki Tanahashi Kindle version of the Treasury of the True Dharm Eve, Shobogenco (2013, 1280 pages) is excellent, at a cost of $60.00.  The hardbound version is $75.00, very heavy, big, like a large family Bible on a coffee table.  So, I'll purchase one volume of Nishijima's translation per month at $25.00 each.  And, then get Tanahashi in the Kindle version as money permits.





Here is an 2008 Amazon review by by Ted Beriginer of Gudo Nishijima and Chodo Cross's four volume translation of the Treasury of the True Dharma Eye, Shobogenzo in 2021.


"If you have not read Books 1 through 4 of this translation of the 95 chapter edition of Shobogenzo, do it now! If you have read them, do it again!

Gudo Nishijima and Mike (Chodo) Cross's four volume translation of the 13th century Zen master Eihei Dogen's masterpiece marked the first English language translation of the entire 95 chapter version of Shobogenzo - The True Dharma-Eye Treasury (excepting the nearly useless translation by Kosen Nishiyama and John Stevens).

By opting for a more "literal" rather than "interpretive" rendition, the translators have realized a monumental achievement by furnishing English readers with a reliable text that is certain to be invaluable for generations.

This set is also packed with a wide selection of reference material, or "Aids to the Reader", including a translation of The Heart Sutra, Dogen's Fukanzazengi, and a generous selection of passages from the Lotus Sutra, Glossaries, a variety of tables offering data on everything from The Works of Dogen, to equivalents of Chinese/Japanese/Sanskrit/English.

The extensive footnotes, while occasionally offering some overly "interpretive" (read: sectarian), provide readers with a vast amount of supplemental information with lucid explanations concerning cultural context, alternate readings, sources for material quoted in the body of the text, biographical (historical and traditional) information on personages appearing in the text, and much more.





Book 1 - Table of Contents

[1] BENDOWA - A Talk about Pursuing the Truth

[2] MAKA-HANNYA-HARAMITSU - Maha-prajna-paramita

[3] GENJO-KOAN - The Realized Universe

[4] IKKA-NO-MYOJU - One Bright Pearl

[5] JU-UNDO-SHIKI - Rules for the Hall of Heavy Cloud

[6] SOKU-SHIN-ZE-BUTSU - Mind Here and Now Is Buddha

[7] SENJO - Washing

[8] RAIHAI-TOKUZUI - Prostrating to Attainment of the Marrow

[9] KEISEI-SANSHIKI - The Voices of the River-Valley and the Form of the Mountains

[10] SHOAKU-MAKUSA - Not Doing Wrongs

[11] UJI - Existence-Time

[12] KESA-KUDOKU - The Merit of the Kasaya

[13] DEN-E - The Transmission of the Robe

[14] SANSUIGYO - The Sutra of Mountains and Water

[15] BUSSO - The Buddhist Patriarchs

[16] SHISHO - The Certificate of Succession

[17] HOKKE-TEN-HOKKE - The Flower of Dharma Turns the Flower of Dharma

[18] SHIN-FUKATOKU - Mind Cannot Be Grasped [The former]

[19] SHIN-FUKATOKU - Mind Cannot Be Grasped [The latter]

[20] KOKYO - The Eternal Mirror

[21] KANKIN - Reading Sutras





Book 2 - Table of Contents

[22] BUSSHO - The Buddha-nature

[23] GYOBUTSU-YUIGI - The Dignified Behavior of Acting Buddha

[24] BUKKYO - The Buddha's Teaching

[25] JINZU - Mystical Power

[26] DAIGO - Great Realization

[27] ZAZENSHIN - A Needle for Zazen

[28] BUTSU-KOJO-NO-JI - The Matter of the Ascendant State of Buddha

[29] INMO - It

[30] GYOJI - [Pure] Conduct and Observance [of Precepts] - Parts 1 & 2

[31] KAI-IN-ZANMAI - Samadhi, State Like the Sea

[32] JUKI - Affirmation

[33] KANNON - Avalokitesvara

[34] ARAKAN - The Arhat

[35] HAKUJUSHI - Cedar Trees

[36] KOMYO - Brightness

[37] SHINJIN-GAKUDO - Learning the Truth with Body and Mind

[38] MUCHU-SETSUMU - Preaching a Dream in a Dream

[39] DOTOKU - Expressing the Truth

[40] GABYO - A Picture of Rice Cake

[41] ZENKI - All Functions






Book 3 - Table of Contents

[42] TSUKI - The Moon

[43] KUGE - Flowers in Space

[44] KOBUSSHIN - The Mind of Eternal Buddhas

[45] BODAISATTA-SHISHOBO - Four Elements of a Bodhisattva's Social Relations

[46] KATTO - The Complicated

[47] SANGAI-YUISHIN - The Triple World is Only the Mind

[48] SESSHIN-SESSHO - Expounding the Mind & Expounding the Nature

[49] BUTSUDO - The Buddhist Truth

[50] SHOHO-JISSO - All Dharmas are Real Form

[51] MITSUGO - Secret Talk

[52] BUKKYO - The Buddhist Sutras

[53] MUJO-SEPPO - The Non-Emotional Preaches the Dharma

[54] HOSSHO - The Dharma-nature

[55] DARANI - Dharani

[56] SENMEN - Washing the Face

[57] MENJU - The Face-to-Face Transmission

[58] ZAZENGI - The Standard Method of Zazen

[59] BAIKE - Plum Blossoms

[60] JUPPO - The Ten Directions

[61] KENBUTSU - Meeting Buddha

[62] HENSAN - Thorough Exploration

[63] GANZEI - Eyes

[64] KAJO - Everyday Life

[65] RYUGIN - The Moaning of Dragons

[66] SHUNJU - Spring and Autumn

[67] SOSHI-SAIRAI-NO-I - The Ancestral Master's Intention in Coming from the West

[68] UDONGE - The Udumbara Flower

[69] HOTSU-MUJOSHIN - Establishment of the Will to the Supreme

[70] HOTSU-BODAISHIN - Establishment of the Bodhi-mind

[71] NYORAI-ZENSHIN - The Whole Body of the Tathagata

[72] ZANMAI-O-ZANMAI - The Samadhi That Is King of Samadhis

[73] SANJUSHICHI-BON-BODAI-BUNBO - The Thirty-seven Auxiliary Bodhi Methods

[74] TEMBORIN - Turning the Dharma Wheel

[75] JISHO ZANMAI - Samadhi as Self Experience

[76] DAI SHUGYO - Great Practice

[77] KOKU - Space

[78] HATSU-U - The Patra

[79] ANGO - The Retreat

[80] TASHINTSU - The Power to Know Others' Minds

[81] O SAKU SENDABA - A King's Seeking of Saindhava

[82] JI-KUIN-MON - Sentences To Be Shown in the Kitchen Hall

[83] SHUKKE - Leaving Family Life

[84] SANJI-NO-GO - Karma in Three Times

[85] SHIME - The Four Horses

[86] SHUKKE-KUDOKU - The Merit of Leaving Family Life

[87] KUYO-SHOBUTSU - Serving Offerings to Buddhas

[88] KIE-SANBO - Taking Refuge in the Three Treasures

[89] SHINJIN-INGA - Deep Belief in Cause and Effect

[90] SHIZEN-BIKU - The Bhiksu in the Fourth Dhyana

[91] YUI-BUTSU-YO-BUTSU - Buddhas Alone, Together With Buddhas

[92] SHOJI - Life-and-Death

[93] DOSHIN - The Will to the Truth

[94] JUKAI - Receiving the Precepts

[95] HACHI-DAININGAKU - The Eight Truths of a Great Human Being

[Appendix 1] BUTSU-KOJO-NO-JI - The Matter of the Ascendant State of Buddha."



Sunday, June 29, 2025

Shifting Internet Services

We are now using only the Internet Services provided by our XFinity Service provider.

This will cost us $75.00 per month for 5G speed.  We use two desktop computers via direct Ethernet cable. The WiFi options work OK thus far.

Been down for a couple of days ... in transition!


Thursday, June 26, 2025

Chen Taijiquan 19 Form

 

I am learning this short Taiji form from Sifu Ken Gullette, from his excellent instructional DVD.  I'm still kind of stiff in my movements.  Feel I have good ground path connection and shifting weight into sides.  No sense of Dantien circling yet.  Can repeat, on my own, up to Move 13.  

"The Chen 19 Form was created by Grandmaster Chen Xiao Wang in 1995 in response to demand from students around the world for a short routine suitable for beginners. The form is composed of 19 movements (and so its name) , divided into four sections. The form is easy for novice to learn, yet offers the experienced practitioner room to express and develop the basic principles, energies and techniques of the style. The form is a combination of postures from the three traditional Chen style taijiquan routines: Lao Jia (Old Frame), Xin Jia (New Frame), and the Xiao Jia (Small Frame). It contains several postures from the Xin Jia style, including Shang Bu Xie Xing, Dao Juan Hong, and Yeh Ma Fen Zhong. These postures are fairly simple, and avoid the complex coils that are the signature of the style. Also included are postures from the Xiao Jia style, including Shuang Tui Shou, Shan Tong Bei, and Liu Feng Si Bi. The remainder of the form (about 2/3) is from the Lao Jia Yi Lu routine."
- Madison Chen Style Taijiquan Studio


The Chen Taijiquan 19 Form of Grandmaster Chen Xiao Wang
Research and Study of the 19 Form by Michael P. Garofalo
2018-2023

"This form was developed by Chen Xiao Wang, 19th generation grandmaster of Chen Style Taijiquan. It serves as a good introduction to important moves in the primary Chen form, lao jia yi lu. It is an easy form to begin utilizing Chen Xiao Wang's reeling silk principles. It is also very well balanced with right-side/left side moves. Postures of this form are derived from Chen “first set” forms as listed below: New Frame First set (Xin Jia Yi Lu): Step up walk obliquely (Shang bu xie xing), Whirling upper arms (Dao juan hong), Part wild horse’s mane (Yeh ma fen zhong). Small Frame First set (Xiao Jia Yi Lu): Push with both hands (Shuang tui shou), Flashing the back (Shan tong bei), and Six sealing four closing (Liu feng si bi). Old Frame First Set (Lao Jia Yi Lu) – Remainder of moves. The form is composed of four sections that run back and forth on a straight line, with each section primarily running in one direction."
-  Rochester Chen Style Tai Chi Chuan


The Chen Taijiquan 19 Form of Grandmaster Chen Xiao Wang
Research and Study of the 19 Form by Michael P. Garofalo
2018-2023