Thursday, October 17, 2013

Sacred Circle Garden

The four-quartered Circle of Magick is a central element in most Western magickal rituals. It is called the "portal between the worlds," a means of connecting with the Deities, Spirits, and Elemental Powers of a realm beyond the material universe. It is envisioned as a vortex with which we focus on our own innate psychic powers, called forth by ritual actions from the subliminal depths of the mind and soul. It is a "sacred space," a sanctuary for communion with the old ones, the deities of our faith.
Many levels of symbolism are intrinsic to the Magick Circle. Among these metaphors are metaphysical and mystical concepts that describe the greater reality within which our lives are experienced. The four "corners" of the Circle of Magick correspond with the compass directions and their associated Elements (Earth, Air, Fire or Water). A fifth Element, Spirit, is often associated with the center of the Circle or with the Circle as a whole."
- Bran the Blessed, Circle Symbolism

Valley Spirit Sacred Circle

Karen stands near in the center of the Valley Spirit Sacred Circle. Behind Karen is the yellow post which marks the Eastern direction, and the Element of Air, Mind, Consciousness, or Intellect; and the Eastern Quadrant is planted with five olive trees, the sacred plant of Athena, the Goddess of Wisdom. Further behind Karen, 26 feet from the center, are some of the seventeen posts marking the boundary of the outer fifth circle. This photo was taken on February 4, 2007.

Sacred Circles
Bibliography, Resources, Links, Quotations, Notes
Researched by Mike Garofalo

Photographs of our Sacred Circle Garden from 2006-2011

One Old Druid's Final Journey

Wednesday, October 16, 2013

Becoming Enlightened

"The Large Sutra on Perfect Wisdom claims that the Six Perfections are "bases for training."  This means that they constitute a series of practices or "trainings" that guide practitioners toward the goal of enlightenment or awakening.  These six "trainings" are the means or methods to that all-important end.  But the perfections are much more than techniques.  The are also the most fundamental dimensions of the goal of enlightenment.  Enlightenment is defined in terms of these six qualities of human character; together they constitute the essential qualities of that ideal human state.  The perfections, therefore, are the ideal, not just the means to it.  Being generous, morally aware, tolerant, energetic, meditative, and wise is what it means for a Buddhist to be enlightened.  If perfection in these six dimensions of human character is the goal, the enlightenment, understood in this Buddhist sense, would also be closely correlate to these particular practices.  Recognizing this, one sutra says, "Enlightenment jus is the path and the path is enlightenment.:  To be moving along the path of self-cultivation by developing the Six Perfections is the very meaning of "enlightenment.""
-  Dale S. Wright, The Six Perfections, p. 4

The Ten Paramitas:  Transformational Practices for Realizing an Enlightened Heart-Mind

Advice from Wise Persons   




 

Tuesday, October 15, 2013

Eightteen Hands of the Buddha's Council

Luohan Qigong, Lohan Qigong, Luohan Gong, Lohan Gong, 18 Buddha Hands
Shaolin Buddhist Qigong
Resources, Lessons, History, Links, Bibliography, Notes, Research 
http://www.egreenway.com/qigong/lohan.htm
 
"One tradition is that the Buddhist teacher, Bodhidharma (448-527 CE), a famous Grand Master of Chan (Zen),introduced a set of 18 exercises to the Buddhist monks at the Shaolin Temple. These are known as the Eighteen Hands of the Lohan. This Shaolin Lohan Qigong (i.e., the art of the breath of the enlightened ones), "is an internal set of exercises for cultivating the "three treasures" of qi (vital energy), jing (essence), and shen (spirit)," according to Howard Choy. The Kung Fu master, Sifu Wong Kiew-Kit, referring to the Shaolin Wahnam style, says "the first eight Lohan Hands are the same as the eight exercises in a famous set of chi kung exercises called the Eight Pieces of Brocade." There are numerous versions,seated and standing, of Bodhiidharma's exercise sets - including the related "Tendon-Changing and Marrow-Washing" qigong set. Some versions of the 18 Lohan (Luohan) Hands have up to four levels, and scores of movement forms for qigong and martial purposes."
- Michael P. Garofalo, Eight Section Brocade (330Kb)

 
For a comparison of some of the exercises in the Lohan Qigong with the Eight Section Brocade see my chart on the topic.
 
The Luohan Qigong includes a massage or patting training methods, and this is especially popular among Yin Fu Bagua enthusiasts. Master Xie Pei Qi has a DVD out on the topic. 

Monday, October 14, 2013

A Connection with the Earth

"And all the times I was picking up potatoes, I did have conversations with them.  Too, I did have thinks of all their growing days there in the ground, and all the things they did hear.  Earth-voices are glad voices, and earth-songs come up from the ground through the plants; and in their flowering, and in the days before these days are come, they do tell the earth-songs to the wind ... I have thinks these potatoes growing here did have knowings of star-songs." 
-  Opel Whiteley, 8 years of age, The Singing Creek where the Willows Grow - The Mystical Nature Diary of Opal Whiteley, Penguin, 1994. 

"Heaven is right beneath our feet."
-  Henry David Thoreau

Earth - Quotes, Poems, Sayings



"Without a true connection to Earth energy your Taiji will be weak and your Taijiquan with be nothing more than a distant goal. You’ll be like a young sapling that can be uprooted by even a child.  Watch some videos and concentrate on the player’s connection to the ground.  Do they look like they could be pushed over at any time?  Can you see the Earth energy rising up the body, spiraling through the waist coming out through the hands?  Do they start and end each form completely rooted?  Most players have spent all their time learning the movements of the forms and have neglected the connection to earth.  They are without root and it is a foundational imperative."
-  Rod Morin, Rooting and Connection to the Three Energies
 
  "One ability that Tai Chi uses to develop serious power through internal ability is called root. The skill of rooting involves the ability to use mind intent to drop your center of gravity down below the ground.  Although rooting involves mind intent, it is more than just visualization. If you practice rooting, you will be able to actually feel the weight of your body dropping down below the surface of the ground. When you practice drills with partners they should be able to feel it too. This way, if you use root in a combat situation, an attacker will be able to feel your root as well so that you will feel to them like a concrete slab stuck deep into the ground. In other words, you will be very hard to push over.  When you first learn root, you begin by practicing standing in one place. However, you can learn to keep your root in the ground while you are walking or in a combat situation. It is possible to learn to drop your root deeper and deeper even as you are fighting.  Over time, you can develop your root so that it is deeper in the ground and contains more and more of your compressed body weight. Some Tai Chi masters can have a root that is 50 feet or more below the ground. To an attacker, being hit by someone with a really deep and strong root can feel like being hit by a 300 pound gorilla."
 -   Richard Clear, Root: A Secret of Combat Tai Chi's Internal Power

Rooting in Taijiquan and Qigong  This webpage includes an introduction, selected quotations, a bibliography with links, and training suggestions.  





Taoism: Resources and Guides




Sunday, October 13, 2013

Dao De Jing by Laozi, Chapter 10

Tao Te Ching by Lao Tzu
Chapter 10

"If you would retain a wholesome personality, must you not restrain your lower interests from dominating over your higher interests?
If you wish to live healthily, should you not breathe naturally, like a child, and not hold your breath until your vitality is nearly exhausted?
If you desire to realize the potentialities of your indescribable original nature, how can you insist that some selected aspect of your personality is really superior to that original nature?
If you are required to govern others, ought you not be able to guide them by example, rather than by forcing your will upon them?
If Nature's way is a joint process of initiation and completion, sowing and reaping, producing and consuming, can you rightly demand that you deserve always to play the role of the consumer?
If you desire to know the nature of the various kinds of things, must you meddle with them, experiment with them, try to change them, in order to find out?
Nature procreates all things and then devotes itself to caring for them, Just as parents give birth to children without keeping them as slaves. It willingly gives life, without first asking whether the creatures will repay for its services. It provides a pattern to follow, without requiring anyone to follow it. This is the secret of intelligent activity."
-  Translated by Archie J. Bahm, 1958, Chapter 10 


"Can you hold the door of your tent
Wide to the firmament?
Can you, with the simple stature
Of a child, breathing nature,
Become, notwithstanding,
A man?
Can you continue befriending
With no prejudice, no ban?
Can you, mating with heaven,
Serve as the female part?
Can your learned head take leaven
From the wisdom of your heart?
If you can bear issue and nourish its growing,
If you can guide without claim or strife,
If you can stay in the lead of men without their knowing,
You are at the core of life."
-  Translated by Witter Bynner, 1944, Chapter 10 


"By conserving the natural and spiritual powers it is possible to escape dissolution.
By restraining the passions and letting gentleness have its sway it is possible to continue as a child.
By purging the mind of impurities it is possible to remain untainted.
By governing the people with love it is possible to remain unknown.
By continual use of the Gates of Heaven it is possible to preserve them from rust.
By transparency on all sides it is possible to remain unrecognized.
o bring forth and preserve, to produce without possessing, to act without hope of reward, and to expand without waste, this is the supreme virtue."
-  Translated by Walter Gorn Old, 1904, Chapter 10 


"In bringing your spiritual (ying) and bodily (p'o) souls to embrace the One,
Can (neng) you never depart (li) from it?
In concentrating your breath to attain softness,
Can you be like an infant (ying erh)?
In cleansing your mirror (lan) of the dark (hsüan),
Can you make it spotless?
In opening and closing heaven's gate (t'ien men),
Can you be the female (tz'u)?
In being enlightened (ming) and comprehending all,
Can you do it without knowledge?
In loving the people and governing the state,
Can you practice non-action?
To give birth, to nurture,
To give birth yet not to claim possession (yu),
To act (wei) yet not to hold on to,
To grow (chang) yet not to lord over (tsai),
This is called the dark virtue (yüan te)."
-  Translated by Ellen Marie Chen, 2000, Chapter 10 


"Bring soul and spirit into unity, they will become welded in the Inner Life.
Conquer vital force until it yields to you, you will become as a new-born child.
Purify the channels of deep perception, you will dwell safely in the Inner Life.
Govern a kingdom by loving the people, they will learn to act from the Inner Life.
Open and shut the doors of heaven, you will have repose of mind in active life.
Let your purity shine forth in all directions, men will see that you have an Inner Life.
Give it birth, nourish it,
Give it birth, but do not seek to possess.
Act but do not appropriate.
Endure but do not rule.
That is called profound Teh."
-  Translated by Isabella Mears, 1916, Chapter 10 



Tao Te Ching by Lao Tzu: Introduction, Bibliography, Commentary, Chapter Index







 






Friday, October 11, 2013

Meditation and Walking

"Walking meditation means to enjoy walking without any intention to arrive. We don't need to arrive anywhere.  We just walk. We enjoy walking. That means walking is already stopping, and that needs some training.  Usually in our daily life we walk because we want to go somewhere. Walking is only a means to an end, and that is why we do not enjoy every step we take. Walking meditation is different. Walking is only for walking. You enjoy every step you take. So this is a kind of revolution in walking. You allow yourself to enjoy every step you take.
The Zen master Ling Chi said that the miracle is not to walk on burning charcoal or in the thin air or on the water; the miracle is just to walk on earth. You breathe in. You become aware of the fact that you are alive. You are still alive and you are walking on this beautiful planet. That is already performing a miracle. The greatest of all miracles is to be alive. We have to awaken ourselves to the truth that we are here, alive. We are here making steps on this beautiful planet. This is already performing a miracle.  But we have to be here in order for the miracle to be possible. We have to bring ourselves back to the here and the now."
-  Thich Nhat Hanh, Resting in the River

Walking Meditation:  Quotes, Bibliography, Links, Information, Methods

"Walking meditation is walking in full awareness of breath, body and everything the senses present.  It is not an aerobic exercise - though it would be a fine lead-in to aerobic walking.  Rather, walking meditation is done slowly and consciously, with each step fully feeling the earth.  During this precious time, body and mind come together, joined in the present moment.  Although the benefits of walking meditation will deepen over time, even from the start, you can experience some measure of the relaxation, balance and quiet energy that builds through this practice."
-  Ginny Whitelaw, Body Learning, p. 55. 

"Research conducted at Harvard Medical School’s Mind/Body Medical Institute has found that focused walking meditations are highly effective for reducing anxiety and producing  what’s called the “relaxation response.”
Borgess Health  

The Ways of Walking

 


 

Thursday, October 10, 2013

Sword Dance of Lady Gongsun

"There lived many years ago the beautiful Lady Gongsun,
Who, dancing with her sword, drew from all four quarters
An audience like mountains lost among themselves.

Heaven and Earth moved back and forth, following her motions,
Bright as when the Archer shot the Nine Suns down from the sky
And rapid as angels before the wings of dragons.

She began like a thunderbolt, venting its anger,
And ended like the shining calm of rivers and sea.

But vanished are those red lips and those pearly sleeves;
And none but this one talented pupil bears the perfume of her fame,
This sword dancer from Lingying, the Town of the White Goddess,
Who still dances and sings in the carefree old ways.

After the dance, we chatted for awhile.
We sighed together, saddened by the changes that have come.
There were a thousand ladies in the late Emperor's court;
But Lady Gongsun's sword dance was first among them all.

Fifty years have passed, like the turning of a hand;
Wind and dust, filling the world, obscure the Imperial House.
Instead of the Pear Garden Players, gone like the fog,
Only two girl musicians remain to charm the cold Sun.

There are now man-sized trees by the Emperor's Golden Tomb.
I seem to hear dead grasses rustling on the windy cliffs of Qutang.
The song is done, the slow strings and quick flutes have ceased.
At the height of joy, sorrow comes with the eastern moon rising.

And I, a poor old man, not knowing where to go,
Walk away slowly into the lonely hills, tired, facing the sunset."

- Du Fu, The Sword Dance Performed by a Pupil of Lady Gongsun
"300 Chinese Poems" The poet Du Fu (712-770, 杜甫) mentioned in his poem "Witnessing Gongsun Da Niang's Disciple Sword Dance Performance" (观公孙大娘弟子舞剑器行) that there was a female sword dancer in the court of Emperor Xuan Zong (唐玄宗) who was probably the greatest in her field.

"Another aspect of the martial dance is the "sword dance," devised by master swordsmen. Ancients sought to combine the ethos of swordsmanship with the sword dance, calling it "sword vigor." The most famous sword dancer of the Tang Dynasty was legendary beauty, Lady Gongsun. As a child, the celebrated Tang poet Du Fu once watched her dance, and the specter created by her superb skill remained forever fresh in his memory. The square in Yancheng, Henan Province was a sea of people. Following a roll of drums, Lady Gongsun appeared, rapier in hand. The sword glinted with every change of posture and stance, whispering like silk on being unsheathed and flashing at each thrust. Her dancing seemed to evince a power that could hold back rivers and repulse oceans. Years later, Du Fu watched the sword dance performed by Li Shi'erniang, one of Gongsun's adherents. Her execution of it was so reminiscent of Gongsun's original performance that Du Fu, now in his 50s, was fired with new vitality, and wrote a poem, 'The Sword Dance Performed by a Girl-Pupil of Lady Gongsun.'"
- Tang Dynasty Dances


Taijiquan Sword: Bibliography, Links, Resources, Instruction, Guides, All Styles

T'ai Chi Ch'uan Sword: Poems, Sayings, Quotations, Wisdom

Tai Chi 32 Sword


Wednesday, October 09, 2013

October Morning Mild


"O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow's wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away."
-   Robert Frost, October

October: Poems, Quotes, Sayings, Lore

"Gardening is the slowest of the performing arts."
-  Mac Keith Griswold

A few photographs of our garden are included below.  The photographs were all taken by Karen Garofalo in October 2013. 






Tuesday, October 08, 2013

True History of Yoga Postures

Recently, I have been reading many books about yoga, exercise and spirituality.  The following book by Mark Singleton has influenced my understanding of the evolution of the practice of hatha yoga since 1880:

Yoga Body: The Origins of Modern Posture Practice  By Mark Singleton.  New York, Oxford University Press, 2012.  Index, bibliography, notes, 262 pages.  ISBN: 9780195395341.  VSCL.

Mr. Singleton's well argued and carefully documented thesis is that transnational yoga as we know it today, asana practices, emerged from physical culture practices from Europe, Indian nationalism, gymnastics, bodybuilding, medicine, health regimens, New Thought, a Hindu studies revival, fitness and gym business promoters, and the development and expansion of visual media.  This process began in the 1880's and continues to this day. 

"Consider the term Yoga as it refers to modern postural practice as a homonyn, and not a synonym, of the "yoga" associated with the philosophical system of Pantanjali, or the "yoga" that forms and integral component of the Saiva Tantras, or the "yoga" of the Bhagavad Gita, and so on.  In other words, although the word "yoga" as it is used popularly today is identical in spelling and pronunciation in each of these instances, it has quite different meanings and origins."  p.15

"As Joseph Alter has recently argued, a key methodological issue is therefore "how to exercise ethnographic relativism, historical perspectivity and intellectual skepticism all at the same time."  This means critically examining modern yoga's truth claims while seeking to understand under what circumstances and to what ends such claims are made." p.14

The esoteric, magical, religious, New Age, imaginary and spiritual dimensions of "yoga" are definitely part of the currents of contemporary yoga practice and trends in non-church spirituality since the 1880's; but, the bigger picture of its popularity is due to our enthusiasm for fitness, bodybuilding, stress reduction, sexuality, improved health, relaxation, and the "good life." 

Another book that points us in the right direction regarding contemporary yoga practices is:

The Science of Yoga: The Risks and the Rewards  By William J. Broad.  New York, Simon and Schuster, 2012.  Index, bibliography, notes, 298 pages.  ISBN;  9781451641424.  VSCL. 

This book is a must read for those who question the often outlandish claims for the benefits of yoga, are concerned about risky yoga postures, and favor a more scientific approach to yoga practice. 

Finally, I enjoyed reading:

Original Yoga: Rediscovering Traditional Practices of Hatha Yoga  By Richard Rosen.  Illustrations by Evan Yee.  Boston, Shambhala, 2012.  Index, bibliography, glossary, appendices, 286 pages.  ISBN: 9781590308134.  VSCL.  

"The changes the traditional practice went through over the centuries might be considered organic, common to any living organism’s natural evolution. What happened to Hatha Yoga in the early years of the twentieth century, by contrast, happened virtually overnight and was totally "person-made," or artificial. The full story is too long to tell here and has already been masterfully recounted from slightly different perspectives by British researchers Elizabeth de Michelis in A History of Modern Yoga (Continuum, 2004) and Mark Singleton in Yoga Body (Oxford University Press, 2010. Suffice it to say that by the end of the nineteenth century in India, Hatha had fallen on hard times and was on its last trembling leg. Several Indian teachers set out to save Hatha from oblivion; among them was Tirumular Krishnamacharya, whose work provided the impetus for three of our most popular and influential modern teachers: T. K. V. Desikachar (whose teaching was once known as Viniyoga, a term that has since been abandoned); the late K. Pattabhi Jois (who taught Ashtanga-Vinyasa Yoga); and B. K. S. Iyengar, who (though he often adamantly insists there’s no such thing) created Iyengar Yoga. And save Hatha the teachers did. You may have heard or read somewhere that yoga is five thousand years old, a number that’s continually cited by people who should know better, since there’s not a shred of concrete evidence to back it up. What we do know for certain is that the yoga we practice in the West is no more than one hundred years old. Our Indian teachers took what was once the province of a relatively small, loose-knit, mostly male ascetic community that was resolutely living on the fringes of respectable Indian society and transformed it into a worldwide mass movement open to anyone of any age, gender, or physical condition. This is the second meaning of original yoga, the yoga that’s "original" to the twentieth century, or what we call modern Hatha Yoga."  Original Yoga by Richard Rosen

This book includes instructions on some practices for "energizing" aspects of the esoteric body that are typical in Qigong and Yoga.  Those interested in organic energy, Prana, Chi, and nadis/meridians will find it interesting.  

Monday, October 07, 2013

Yoga Postures Indexes

Hatha Yoga Postures (Asanas) List and Index
Alphabetical arrangement by both the English and Sanskrit names of postures.
Page citations to descriptions in eight influential yoga textbooks, e.g., Light on Yoga, Yoga the Iyengar Way, Yoga Anatomy, Hatha Yoga Illustrated, Anatomy of Hatha Yoga, Yoga: The Path to Holistic Health, etc.
Information as to type and level of difficulty for each posture.  
Includes many Chi Kung (Qigong) postures used in my yoga classes.
Updated weekly
By Michael P. Garofalo, M.S. 
Valley Spirit Yoga, Red Bluff, California
24 pages in PDF (Print Only) format
December 1, 2012


Hatha Yoga Postures (Asanas) List and Index

Standing Hatha Yoga Postures List

Supine Hatha Yoga Postures List

MPG Yoga Studies Lists

Valley Spirit Yoga

Valley Spirit Qigong (Chi Kung)





Saturday, October 05, 2013

Chen Taijiquan Short 18 Movement Form

I have enjoyed practicing this short Chen Taijiquan form for the past few years.  It was developed by Grandmaster Chen Zhenglei.

Chen Taijiquan Short 18 Movement Form Webpage

List of Movements of the Chen Taijiquan 18 Movement Short Form

Chen Taijiquan Old Frame First Form Laojia Yilu Webpage


Watch Grandmaster Chen Zhenglei perform the short form he created:

Friday, October 04, 2013

Heart Sutra

"When the Bodhisattva Avalokitesvara
Was Discoursing in the Deep Prajna Paramita,
He Perceived That All Five Skandhas Are Empty.
Thus He Overcame All Ills and Suffering.
Oh, Sariputra, Form Does not Differ From the Void,
And the Void Does Not Differ From Form.
Form is Void and Void is Form;
The Same is True For Feelings,
Perceptions, Volitions and Consciousness.
Sariputra, the Characteristics of the
Voidness of All Dharmas
Are Non-Arising, Non-Ceasing, Non-Defiled,
Non-Pure, Non-Increasing, Non-Decreasing.
Therefore, in the Void There Are No Forms,
No Feelings, Perceptions, Volitions or Consciousness.
No Eye, Ear, Nose, Tongue, Body or Mind;
No Form, Sound, Smell, Taste, Touch or Mind Object;
No Realm of the Eye,
Until We Come to No realm of Consciousness.
No ignorance and Also No Ending of Ignorance,
Until We Come to No Old Age and Death and
No Ending of Old Age and Death.
Also, There is No Truth of Suffering,
Of the Cause of Suffering,
Of the Cessation of Suffering, Nor of the Path.
There is No Wisdom, and There is No Attainment Whatsoever.
Because There is Nothing to Be Attained,
The Bodhisattva Relying On Prajna Paramita Has
No Obstruction in His Mind.
Because There is No Obstruction, He Has no Fear,
And He passes Far Beyond Confused Imagination.
And Reaches Ultimate Nirvana.
The Buddhas of the Past, Present and Future,
By Relying on Prajna Paramita
Have Attained Supreme Enlightenment.
Therefore, the Prajna Paramita is the Great Magic Spell,
The Spell of Illumination, the Supreme Spell,
Which Can Truly Protect One From All Suffering Without Fail.
Therefore He Uttered the Spell of Prajnaparmita,
Saying 'Gate, Gate, Paragate, Parasamgate, Bodhi Svaha.' "

- The Heart Sutra of Buddhism



Audio version of the Heart Sutra; a reading by Michael P. Garofalo.


The Heart Sutra (PDF Version) 

Green Way Wisdom - Zen Buddhist Poems and Scriptures

Emptiness (Sunyata, Mu, Inter-Dependent Arising)




http://www.egreenway.com/vsjournal/images/wheel21a.gif

Thursday, October 03, 2013

Taijiquan Broadsword Form

"The single edged, curved bladed dao, or saber, dates from around the 13th -14th centuries. The curved blade was introduced to China as a result of the Mongol invasions, and its popularity is shown by the fact that it had eclipsed the straight bladed jian as the dominant military side arm from the 15th century onward. The "willow leaf" (liu ye) dao is an old blade pattern which displays considerable variety in shape and dimensions. Generally averaging about 26 -30 inches in length, its blade curves gently throughout its entire length. The blade may remain almost the same width for its whole length, or it may gradually taper towards the point. It often had a sharpened back edge, indicating a higher degree of sophistication in its technical usage. A military issue weapon, its blade shape, size, types of fittings and ornamentation were regulated by documented imperial specifications. Each blade size was intended for a specific military application. For example, a relatively short dao might be used by vanguard troops scaling walls on climbing ladders, where a long, difficult to draw sword would be awkward to put into use. The willow leaf saber was almost completely eclipsed by the "oxtail" blade pattern made for civilian use by the mid 19th century."

- David F. Dolbear, Introduction to Antique Chinese Swords of the Qing Dynasty Period



The following webpages include links, bibliographies, lists of movements, techniques, history, quotations, and resources.

Broadsword: All Styles

Chen Taijiquan Broadsword

Yang Taijiquan Broadsword

Cloud Hands Taijiquan
 

I practice the Chen Taijiquan 23 Movement Broadsword Form. Here is a list of the 23 movements of the Chen Broadsword form.  


Geroge Xu

Wednesday, October 02, 2013

Falling Leaves

As I played with the Yang Long Form, each of my steps crunched leaves under my feet. As I reached down to pick up the needle from the bottom of the sea, I picked up a few leaves from the graying autumn grass. As I crossed hands in the horse stance, a fig leaf fell on my fingers.

"despite fascination
do not be concerned
that form is emptiness
and emptiness is form
It is All
a brown falling leaf
no different
from
anything
else."
- Michael McClure

"Last day of September,
dead leaves dropping--
form is emptiness.
First day of October,
ditch completely dry--
emptiness is form.
- Michael Garofalo, Above the Fog


Cloud Hands Taijiquan


Tuesday, October 01, 2013

October Gardening Chores

Red Bluff, North Sacramento Valley, California, USA

USDA Zone 9






Cleaning, sharpening, oiling and storing tools.
Removing dead and non-productive vegetable crops. 
Ordering seed and garden catalogs.
Remove all peppers in case of frost.
Reduce watering as temperature drops.
Watering plants as needed.
Being attentive to the effects of the cold dry winds. 
Planting potted trees and shrubs in the ground.
Placing cold sensitive potted plants in protected areas or indoors.
Planting bulbs.
Prune and mulch perennials. 
Fertilize with 20-9-9 or 15-15-15. 
Trees without leaves need little or no watering.
Picking pumpkins, squash, colored corn, and other crops for Thanksgiving decorations.
Finish all digging and construction projects before the first rain.
Bring in wood and kindling to rain free storage areas.
Repair roofs on sheds and house.
Add fallen leaves to the compost pile.
Be prepared for chilling frosts.
Collect seeds from plants.
Start pruning berry vines.


"Since we do experience droughts nearly every summer, it is crucial to provide supplemental irrigation to newly installed (spring) landscapes. Generally this means a couple of hours of watering once or twice a week. Keep in mind that trees and shrubs planted in the spring and summer use a significant amount of their resources for above-ground growth. Since root growth is favored during the dormant season, it’s best to install landscape plants in the fall. It has been demonstrated that shrubs and trees planted during the fall suffer less environmental stress than those planted in the spring or summer."
-   Dr. Linda Chalker-Scott





The Raywood Ash trees in our backyard provide a fine fall display in November.  This tree does very well in our summertime heat and is not prone to trunk destruction by borers.