Showing posts with label Litterature. Show all posts
Showing posts with label Litterature. Show all posts

Wednesday, May 27, 2026

R. H. Blyth (1898-1964)

I first read R. H. Blyth from books borrowed from the Montebello Regional Library of the Los Angeles County Public Library System in 1961.  There is an excellent Asian-Pacific Resource Center at the Montebello Library.  I was much influenced by writers like Blyth, Suzuki, Watts, Reps, and Chinese/Japanese literature and classics I borrowed from the Montebello Library.  

I was attending Cantwell Catholic High School in Montebello from 1959-1963.  I walked and used local buses for transportation.  I lived in the Bandini barrio of East Los Angeles near the intersection of the Atlantic and Washington Boulevards.  

I later worked as a librarian, branch manager, regional and system audio-visual coordinator, and finally as the Regional Administrator of 22 libraries in the East Region, East San Gabriel Valley area.  I worked for the County Public Library from 1974-1998.  

I enjoyed Blyth's writings for their playful humor, sensitivity to nature, humanity, and insightful and quirky comparisons of literary and classical works.  


Reginald Horace Blyth (1898-1964)   
Bibliography, Biography, Links, Resources, Quotations, Comments, Influence, Zen, Haiku
Hypertext Notebook by Michael P. Garofalo






"These are some of the characteristics of the state of mind which the creation and appreciation of haiku demand: Selflessness, Loneliness, Grateful Acceptance, Wordlessness, Non-intellectuality, Contradictoriness, Humor, Freedom, Non-morality, Simplicity, Materiality, Love, and Courage."
- Haiku, Volume One, p. 154


"The love of nature is religion, and that religion is poetry; these three things are one thing. This is the unspoken creed of haiku poets."
- History of Haiku, Vol. One, Introduction, 8.5


"The object of our lives is to look at, listen to, touch, taste things. Without them, - these sticks, stones, feathers, shells, - there is no Deity."
- R. H. Blyth, Zen in English Literature and Oriental Classics, p. 144.


"The sun shines, snow falls, mountains rise and valleys sink, night deepens and pales into day, but it is only very seldom that we attend to such things ... When we are grasping the inexpressible meaning of these things, this is life, this is living. To do this twenty-four hours a day is the Way of Haiku. It is having life more abundantly."
- R. H. Blyth, Haiku, Volume One, p. 11






A repost from 2006.  

Friday, September 12, 2025

Kenneth Rexroth on Chinese Classics

"In the Confucian writings Tao usually means either a road or a way of life. It means that in the opening verse of the Tao Te Ching, “The way that can be followed (or the road that can be traced or charted) is not the true way. The word that can be spoken is not the true word.” Very quickly the text drives home the numinous significance of both Tao and Te. Tao is described by paradox and contradiction — the Absolute in a worldview where absolutes are impossible, the ultimate reality which is neither being nor not being, the hidden meaning behind all meaning, the pure act which acts without action and yet the reason and order of the simplest physical occurrence.

It is quite possible — in fact Joseph Needham in his great Science and Civilization in China does so — to interpret the Tao Te Ching as a treatise of elementary primitive scientific empiricism; certainly it is that. Over and over it says, “learn the way of nature”; “do not try to overcome the forces of nature but use them.” On the other hand, Fr. Leo Weiger, S.J., called the Tao Te Ching a restatement of the philosophy of the Upanishads in Chinese terms. Buddhists, especially Zen Buddhists in Japan and America, have understood and translated the book as a pure statement of Zen doctrine. Even more remarkable, contemporary Chinese, and not all of them Marxists, have interpreted it as an attack on private property and feudal oppression, and as propaganda for communist anarchism. Others have interpreted it as a cryptic work of erotic mysticism and yoga exercises. It is all of these things and more, and not just because of the ambiguity of the ideograms in a highly compressed classical Chinese text; it really is many things to many men — like the Tao itself.

Perhaps the best way to get at the foundations of the philosophy of the Tao Te Ching is by means of a historical, anthropological approach which in itself may be mythical. There is little doubt that the organized Taoist religion, which came long after the Tao Te Ching but which still was based on it, swept up into an occultist system much of the folk religion of the Chinese culture area, much as Japanese Shinto (which means the Tao of the Gods) did in Japan. If the later complicated Taoist religion developed from the local cults, ceremonies and superstitions of the precivilized folk religion, how could it also develop from the Tao Te Ching or from the early Taoist philosophers whose works are collected under the names of Chuang Tzu and Lieh Tzu and who are about as unsuperstitious and antiritualistic as any thinkers in history? The connection is to be found I feel in the shamans and shamanesses of a pan-Asiatic culture which stretches from the Baltic far into America, and to the forest philosophers and hermits who appear at the beginnings of history and literature in both India and China and whose prehistoric existence is testified by the yogi in the lotus position on a Mohenjo-Daro seal. The Tao Te Ching describes the experiential or existential core of the transcendental experience shared by the visionaries of primitive cultures. The informants of Paul Radin’s classic Primitive Man as Philosopher say much the same things. It is this which gives it its air of immemorial wisdom, although many passages are demonstrably later than Confucius, and may be later than the “later” Taoists, Chuang Tzu and Lieh Tzu.

There are two kinds of esotericism in Oriental religion: the proliferation of spells, chants, rituals, mystical diagrams, cosmologies and cosmogonies, trials of the soul, number mysticism, astrology, and alchemy, all of which go to form the corpus of a kind of pan-Gnosticism. Its remarkable similarities are shared by early Christian heretics, Jewish Kabbalists, Tantric worshipers of Shiva, Japanese Shingon Buddhists, and Tibetan lamas. The other occultism (held strangely enough by the most highly developed minds amongst some people) is the exact opposite, a stark religious empiricism shorn of all dogma or cult, an attitude toward life based upon realization of the unqualified religious experience as such. What does the contemplator contemplate? What does the life of illumination illuminate? To these questions there can be no answer — the experience is beyond qualification. So say the Zen documents, a form of late Buddhism originating in China, but so say the Hinayana texts, which are assumed to be as near as we can get to the utterances of the historic Buddha Sakyamuni, but so say also the Upanishads — “not this, not this, not that, not that,” but so also say some of the highly literate and sophisticated technical philosophers (in our sense of the word) of Sung Dynasty Neo-Confucianism. So says the Tao Te Ching.
In terms of Western epistemology, a subject Classical Chinese thought does not even grant existence, the beginning and end of knowledge are the same thing — the intuitive apprehension of reality as a totality, before and behind the data of sense or the constructions of experience and reason. The Tao Te Ching insists over and over that this is both a personal, psychological and a social, moral, even political first principle. At the core of life is a tiny, steady flame of contemplation. If this goes out the person perishes, although the body and its brain may stumble on, and civilization goes rapidly to ruin. The source of life, the source of the order of nature, the source of knowledge, and the source of social order are all identical — the immediate comprehension of the reality beyond being and not being; existence and essence; being and becoming. Contact with this reality is the only kind of power there is. Against that effortless power all self-willed acts and violent attempts to rule self, man, or natural process are delusion and end only in disaster.

The lesson is simple, and once learned, easy to paraphrase. The Tao is like water. Striving is like smoke. The forces of Nature are infinitely more powerful than the strength of men. Toil to the top of the highest peak and you will be swept away in the first storm. Seek the lowest possible point and eventually the whole mountain will descend to you. There are two ways of knowing, under standing and over bearing. The first is called wisdom. The second is called winning arguments. Being, as power, comes from the still void behind being and not being. The enduring and effective power of the individual, whether hermit or king or householder, comes from the still void at the heart of the contemplative. The wise statesman conquers by the quiet use of his opponents’ violence, like the judo and jujitsu experts.

The Tao Te Ching is a most remarkable document, but the most remarkable thing about it is that it has not long since converted all men to its self-evident philosophy. It was called mysterious at the beginning of this essay. It is really simple and obvious; what is mysterious is the complex ignorance and complicated morality of mankind that reject its wisdom.
Kenneth Rexroth, Classics Revisited, 1968


Thursday, June 25, 2015

Bear Frolics Exercises



To experience the Five Animal Frolics we need to keep in mind the "Frolics" aspect of this movement art: being playful and exuberant, freeing up our time for fun, delighting in bodily movements, enjoying games of imitation, taking pleasure in the moment, and delighting in the exercise of fantasy and imagination.  We should be smiling as we enjoy our playful frolics.  We should strive to return to our youth, and rekindle those memories of our joyful childhood games, innocence, freedom of fancies, and silliness.  We are never too old to embrace that precious child within each of us.  

Bear Frolics: Lessons, Bibliography, Notes

The Complete Tales of Winnie-the-Pooh.  By A. A. Milne.  With decorations by Ernest H. Shepard.  New York, Dutton's Children's Books, 1994.  344 pages.  Color illustrations, hardbound.  ISBN: 9780525457237.  Originally published in 1926, 1954.  This book includes: Winnie-the-Pooh, and The House at Pooh Corner, VSCL.  
 
The Te of Piglet.  By Benjamin Hoff.  New York, Penguin Books, 1992.  257 pages.  ISBN: 0140230165.  VSCL.  

The Tao of Pooh.  By Benjamin Hoff.  New York, Penguin Books.  VSCL 
  

The most famous literary Bear is Winnie the Pooh.  Over 26 million English language books by A. A. Milne about the Pooh Bear and his friends have been sold since 1926, the books have been translated into scores of languages, and Disney Films has made him even more famous and a lucrative commodity line.  Benjamin Hoff has explored how Pooh Bear is a quintessential "Taoist Bear."   

So ... it is just fine for you to Dance like a Bear.
Become a Silly Bear for a awhile.
Enjoy the real honey of just being right were you are,
   here and now, content,
   Pooh, it is quite easy.

 

"Christopher Robin and I walked along
Under branches lit up by the moon
Posing our questions to Owl and Eeyore
As our days disappeared all too soon
But I've wandered much further today than I should
And I can't seem to find my way back to the Wood

So help me if you can
I've got to get back
To the House at Pooh Corner by one
You'd be surprised
There's so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of Christopher Robin and Pooh."
- Return to Pooh Corner Words and lyrics by Kenny Loggins, 1969, MCA Musi




Monday, May 18, 2015

We That Pass, Love What Abides

"We that change,
Hate change.
And we that pass,
Love what abides.
...
Ashes,
Darkness,
Dust."
R. H. Blyth (1898-1964), Mortality

I first read books by R. H. Blyth when I was fourteen years old.  He inspired me then; and, he inspires me when I read him at the ripe old age of 69.  I find his writing quirky, insightful, clever, down to earth, over-reaching at times, puzzling, disjointed, full of Zen, strong on comparisons between Western and Eastern poets, steeped in Japanese culture, and brilliant.  He was my first intellectual and literary contact with Zen, along with books by Alan Watts and D.T. Suzuki. 

Zen Poetry

Haiku and Short Poems by Mike Garofalo