Showing posts with label Yang Taijiquan Quotations. Show all posts
Showing posts with label Yang Taijiquan Quotations. Show all posts

Sunday, January 12, 2025

Taijiquan Treatise


The Taijiquan Lun (Treatise, Theory, Discussion, Thesis)

"English Translation of "The Taijiquan Lun," with extensive and good commentary, by Yonatan Vexler, Qufu Teacher's University, Shandong, China

Published in "Qi: The Journal of Traditional Eastern Health and Fitness," Volume 27, No. 1, Spring 2017, pp. 38-51.


This Treatise is sometimes attributed to Wang Zongyue.


"Taiji (complementary duality) originates from wuji (non-polarity).  It is the process of motion and stillness, also known as the creator of contrast (the yin and yang).  Motion causes separation, while stillness leads to unity.  I allow opponents to advance, and I advance when they recoil.  When my opponents are hard and I am soft it is to flow, successfully following their motions is to stick.  When they move fast, I quickly react, and when they move slowly, I slowly follow.  There can be a thousand scenarios, but the one principle applies to all.  Engrain this principle in practice to understand force, understanding force will lead to higher levels of advancement.  Without a long time of serious practice, one cannot advance.

Emptiness leads power up, while breath sinks down the dantian.  Don't lean, and don't bend.  Able to become shadow and suddenly materialize, if opponents go left, nothing will be there, of opponents go right, let them be led to the right.  If opponents look up, let them go up, and if opponents lean down, let them go lower.  If they go forward, let them have to go more forward, and if they go back, let them have to go even further back.  A feather's weight can't be added, sensitive even to a fly landing on one's skin.  They cannot follow me, only I can follow them.  To be a hero that encounters now opposition, this is what one must do.

Many schools try to mimic this.  There are many different methods, but most emphasize the strong defeating the weak and the slow yielding to the quick.  When the strong beat the weak and the slow yield to the quick, it is only natural ability, and has no relation to the power that comes from learning and wisdom.  Consider the phrase, "four ounces overcoming a thousand pounds", and it obviously cannot be done with brute strength.  Consider the old man who can fend off a gang of attackers; is this outcome determined by sheer speed?

Stand like a balanced level, and be as dynamic as a cartwheel can spin.  Shift weight as needed to be lively, for being uncoordinated stagnates the flow.  If you see one practicing for years without advancing, being controlled by the opponent, it's because one has not heard of the fault of being uncoordinated.  To avoid this fault, one must know about yin and yang.  To stick is to flow, to flow is to stick, yang is within the yin, and yin is within the yang.  They (the passive and the active) compliment each other, so one can understand force.  Identify different forces to advance your training.  Carefully study this knowledge, put it to practice, and you will be able to do anything.

The most basic idea is to follow your opponent.  Many make the mistake of planning ahead.  As the saying goes, "off by an inch, off by a mile", so a student must be able to clearly distinguish!  Hence, there is this treatise."

English Translation of The Tijiquan Lun by Yonatan Vexler, 2017



Tai Chi Chuan Classics 


Cloud Hands Taijiquan   


Chang San Feng

Thirteen Postures of Tai Chi Chuan

The above four webpages were prepared by Mike Garofalo






Sunday, May 28, 2023

Relax, Teacher

A Repost from the Cloud Hands Blog on December, 2017



"I have been practicing Tai-Chi Chuan for over fifty years. Only two years ago that I started to understand the word “relax”. I remember my Tai-Chi Chuan teacher Yang Cheng-Fu who did not like to talk much and he used to sit all day without saying a word if no one asked him questions. However, in our T’ai-chi class he would tell us to “relax” repeatedly. Sometimes it seemed like he would say the word hundreds of times during the practice so that the word could fill up my ears. Strangely enough he also said that if he did not tell me of this word that I would not be able to learn T’ai-chi in three life-times (meaning never). I doubted his words then. Now that I think back, I truly believe that if he did not keep reminding me of the word “relax”, I doubt if I could have learned T’ai-chi Chuan in six life-times.

What is the meaning of “relax” in T’ai-chi? Here is an example to help you understand the word. When we go visit a Buddhist temple we usually see a statue of Me-Lo Buddha. The one who has a big rounded stomach with a big smile on his face. He carries a large bag on his shoulder. On top of this statue we see a motto: “Sit with a bag. Walk with a bag. It would be such a relief to drop the bag.” What does all this mean? To me, a person himself or herself is a bag. Everything he or she owns is baggage, including one’s children, family, position and wealth. It is difficult to drop any of one’s baggage, especially the “self” bag.

T’ai-chi Chuan is difficult to learn. To relax in practicing T’ai-chi Chuan is the most difficult phase to go through. To relax a person’s mind is the most significant obstacle to overcome in practicing T’ai-Chi. It takes a great effort to train and exercise one’s mind to relax (or drop one’s “self” bag)."
- Cheng Man-Ch'ing, Taijiquan Master






Strike with shoulder and/or elbow.
Professor Cheng Man-Ch'ing, Whisker's Man


Come On, Whisker's Man!  

It took a multi-talented fellow like you 48 years before you started to understand the word "relax"???   A cryptic, intriguing, peculiar, perplexing remark.  A teacher's puzzler.  

Of course, the professor had high standards for productivity, being a master of five excellences and more.  Obviously, little time to relax.  Then, add the psychological quest of the dropping one's 'self" bag [by Daoist, Buddhist, or psychoanalytical methods and standards] ... 

Alternatives??  Yes, yes ....  let me lie down and have my Feldenkrais' teacher, Ms. Toscano, lead me into deeper relaxation and self-observation and self-exploration.  My ego (one's "self" bag) dissolves in the attention given to the minutia of internal bodily feelings while languidly lying on a soft cushion.  The self bag is gone; or, at least, my everyday busy, yang self, action man self is set aside for while.  Pleasures can induce self-forgetfulness.  One delicious,simple, effortless form of loosened and relaxed. 

But, maybe, Whisker's Man, wants us to reflect on more important matters.  Clever fellow.  

Yes, however, indeed, experiencing Sung while doing Taijiquan is essential to this body-mind performing art.   


Cheng Man-ch'ing (1902-1975): Tai Chi Chuan Master
Bibliography, Links, Quotes, Resources, Reflections, Notes.
A hypertext notebook by Michael P. Garofalo.



Relax (Sung) in Tai Chi Chuan
Bibliography, Links, Quotes, Notes, Instructions. By Mike Garofalo.



A good article in the recent Qi Magazine: Journal of Traditional Eastern Health and Fitness (Volume 27, Number 4, 2017, pp. 30-37.) by Master Wasentha Young titled "Professor Cheng Man-Ching's Design of the Yang Style Short Form."

The Tai Chi Book: Refining and Enjoying a Lifetime of Practice. By Robert Chuckrow, Ph.D.. Including the Teachings of Cheng Man-ch'ing, William C. C. Chen, and Harvey I. Sober. Jamaica Plain, Massachusetts, YMAA Publication Center, c 1998. Index, 209 pages. ISBN: 1886969647. Dr. Chuckrow was a student of Cheng Man-ch'ing and others. The Cheng 37 Posture form is described and illustrated with photographs on pages 177-204. VSCL.

Cheng Man-ch'ing T'ai-Chi Short Form. Instructional DVD. As taught by Robert Chuckrow, Ph.D.. NTSC DVD, color, 63 minutes. ASIN: B00BMAVIVC. "This DVD has three parts: (1) Demonstration of Cheng Man-ch'in's Short Form by Robert Chuckrow, (2) Form instruction, and (3) Rear view of form (student view). The instruction part is clear and detailed, and all the movements are taught in succession with different camera views and repetitions." VSCL. 




Wednesday, May 23, 2018

Taiji Characteristics

Characteristics of Yang Style Taijiquan

     "The distinctive characteristics of Yang Chengfu style Taijiquan are: the postures are relaxed and expansive, simple and clean, precise in composition; the body method is centered and aligned, not inclining or leaning; the movements are harmonious and agreeable, containing hard and soft, uniting lightness of spirit and heaviness of application.  In training, one attains softness from loosening/relaxing (song).  In accumulating softness one develops hardness; hardness and softness benefit one another [mutually interact].  

     The postures may be high, middle or low, so that one is able to make appropriate adjustments in the measure of the movements according to factors of age differences, sex, bodily strength, or differing demands of the student.  Because of this, it is as suitable for treating illness or protecting health as it is for increasing strength and fitness or increasing the artistic skill of one who is relatively strong to begin with.

     The postures of Yang style Taijiquan are expansive and open, light yet heavy, nature, centered and upright, rounded and even, simple, vigorous, and dignified,─because of this, one is able to quite naturally express and individual style that is grand and beautiful."

-  Introduction by Gu Liuxin, pp. 7-8.  Found in Mastering Yang Style Taijiquan.  Bu Fu Zhongwen (1903-1994).  Translated by Louis Swaim.  Berkeley, California, Blue Snake Books, North Atlantic Books, 1999, 2006.  Glossary, bibliography, 226 pages.  Translations of many Tai Chi classics are included.  A list of the 85 movement long form and detailed notes and descriptions of each movement are provided. 









Sunday, December 10, 2017

Yang Style Taijiquan Characteristics

Characteristics of Yang Style Taijiquan

     "The distinctive characteristics of Yang Chengfu style Taijiquan are: the postures are relaxed and expansive, simple and clean, precise in composition; the body method is centered and aligned, not inclining or leaning; the movements are harmonious and agreeable, containing hard and soft, uniting lightness of spirit and heaviness of application.  In training, one attains softness from loosening/relaxing (song).  In accumulating softness one develops hardness; hardness and softness benefit one another [mutually interact].  

     The postures may be high, middle or low, so that one is able to make appropriate adjustments in the measure of the movements according to factors of age differences, sex, bodily strength, or differing demands of the student.  Because of this, it is as suitable for treating illness or protecting health as it is for increasing strength and fitness or increasing the artistic skill of one who is relatively strong to begin with.

     The postures of Yang style Taijiquan are expansive and open, light yet heavy, nature, centered and upright, rounded and even, simple, vigorous, and dignified,─because of this, one is able to quite naturally express and individual style that is grand and beautiful."

-  Introduction by Gu Liuxin, pp. 7-8.  Found in Mastering Yang Style Taijiquan.  Bu Fu Zhongwen (1903-1994).  Translated by Louis Swaim.  Berkeley, California, Blue Snake Books, North Atlantic Books, 1999, 2006.  Glossary, bibliography, 226 pages.  Translations of many Tai Chi classics are included.  A list of the 85 movement long form and detailed notes and descriptions of each movement are provided.