Tai Chi Sword, 32 Form

32 Sword Form, Simplified, Yang Style, Taijiquan Jian.

A webpage by Michael P. Garofalo. 

This popular webpage includes a comprehensive bibliography, scores of links to webpages; an extensive listing of the names and name variations for each movement in English, Chinese, French, German, and Spanish; a detailed analysis of each posture and movement sequence with explanations and numbered illustrations and detailed instructions; selected quotations; comments on 20 Taijiquan sword techniques; a comprehensive media bibliography; a chart of performance times; recommendations for starting to learn this form at home one your own with instructional DVDs, books and practice methods; and, a comparison of the 32 and 55 sword forms in the Yang style. 

This is the standard, simplified, orthodox, 1957, 32 Taiji Sword Form, in the Yang Style of T'ai Chi Ch'uan. 

32 Sword Form Pamphlet by Geoffrey Hugh Miller.  Adapted from information and graphics found on the 32 Sword Form webpage by Michael P. Garofalo.  22 pages, 9/7/2015, PDF Format.  Excellent job by Mr. Miller.  This is a handy practice tool.  

Read about the Taoist magical sword finger hand sign:
"The sword finger hand sign is to draw your own magic power to the fingers and output a beam of energy for doing Taoist magic.  This beam of magical power isn’t just an imaginary thing, it’s a real visible beam if you can see it. Some of my students can see the beam of energy beams out like a long laser from the tip of the finger and extend all the way to the wall or somewhere far away. The beam is a beam a the magic power from one doing the handsign. This beam of power can be used for drawing FUs in the air, killing evils, doing magic in magic battles, healing or even saving lives!  This is like a multi-usage tool, which can be a pen, a chisel, a phone, or even a drill, it all depends on how you use it and what adaptor you put on it to make it function differently. The most  commonly seen usage of this handsign in Tin Yat Lineage is by drawing Taoism FU in the air or on the incense. This allow you to “carve” the Taoism FU into the object or in the air to perform magic." 

32 Taijiquan Simplified Sword Form

20 T'ai Chi Ch'uan Sword Techniques

55 Classical Yang Taiji Sword

Cloud Hands Taijiquan



 

The Wild Horse Jumps Over the Mountain Stream 



  "Mike, I wonder if you could give your thoughts on something.  For years I’ve been practicing 3. The Swallow Skims Across the Water with the left hand moving in a similar fashion to 5. Block and Sweep to the Left i.e. the little finger side of the hand brushing the left hip before raising above the head.  I’ve recently got a book by Li Deyin which has his daughter Faye Yip performing it slightly differently.  She points her fingers backwards with the back of the hand brushing the hip and mentions it in the essential points for the movement.  Looking at videos on the internet they all seem to be similar to Faye Yip.  Would you mind if I asked how you practice?"
-  A question from Simon Ellis, UK, 9/2/2015


Simon, I have found that the details of bodily positions for any Taijiquan movement vary somewhat according to the following standards:

1.  Competition standards.  If you are preparing to compete in a Taijiquan event, then carefully study the standards for the forms you are performing.  In the case of the 32 sword form, check out books and DVDs by Li Deyin or his heirs.

2.  Your teacher's standards.  If you are working closely with a Taijiquan teacher, then follow their instructions.  This simplifies your learning, and shows respect for the teacher.  Since I learned the 32 sword from the instructional DVD by Dr. Paul Lam, I practice this form in a manner fairly close to his instructions.  

3.  Your personal standards.  If you have been practicing for many years, mostly alone, then more variations in bodily positions will likely emerge.  Sensibly, as we age, we make adaptations in our Taijiquan form work to safely accommodate our declining physical abilities.

As for how I practice, I'm rather unconcerned about details, a bit careless, playful, free, and seldom do things exactly the same way.  I just like skimming across the water, and leave the details about how to flap my wings to others.  Call me a lazy dilettante Daoist, with a penchant for ziran.  I don't often practice with a sword or saber anymore─ I only wield my sturdy cane.  

As I recall, the front of my left hand crosses my waist while going to 3c; and, more important, I still make that magical Taoist sword finger hand sign with my left hand while doing this form.

I think that modeling your performance on the standards set by Master Faye Yip's 32 Sword form instructions and demonstration would result in much grace, improved strength, and a beautiful style.  
Best wishes!  Mike.  9/8/2015 

 

The Essence of Pleasure: Spontaneity

"No pleasure endures unseasoned by variety."
-  Publilius Syrus  

"The essence of pleasure is spontaneity."
-  Germaine Greer

"Why not seize the pleasure at once, how often is happiness destroyed by preparation, foolish preparations."
-  Jane Austen

"Perhaps all pleasure is only relief."
- William Burroughs

"Man, Nietzsche contended, is a being that has leapt beyond the "bestial bounds of the mating season" and seeks pleasure not just at fixed intervals but perpetually.  Since, however, there are fewer sources of pleasure than his perpetual desire for pleasure demands, nature has forced man on the "path of pleasure contrivance."  Man, the creature of consciousness whose horizons extend to the past and the future, rarely attains complete fulfillment within the present, and for this reason experiences something most likely unknown to any animal, namely boredom.  This strange creature seeks a stimulus to release him from boredom.  If no such stimulus is readily available, it simply needs to be created.  Man becomes the animal that plays.  Play is an invention that engages the emotions; it is the art of stimulating the emotions.  Music is a prime example.  Thus, the anthropological and physiological formula for the secret of art: "The flight from boredom is the mother of all art." "
-  Rudiger Safranski, Nietzsche: A Philosophical Biography, p. 23



Seven Pleasures: Essays on Ordinary Happiness  By Willard Spiegelman.  The seven simple pleasures discussed are: dancing, reading, walking, looking, listening, swimming, and writing.  If you included Taijiquan as "dancing" then all of these can be solitary activities.  Picador, 2010.  208 pages.  ISBN: 9780312429676. 

Pleasure and the Good Life: Concerning the Nature, Varieties, and Plausibility of Hedonism.  By Fred Feldman.  Clarendon Press, 2006.  240 pages.  ISBN: 978-0199297603.  VSCL. 

Pleasure and Enjoyment: Quotations, Sayings, Information

Hedonistic and Epircurean Philosophy

The Five Senses  

Play

No Pleasure Endures Unseasoned by Variety

"No pleasure endures unseasoned by variety."
-  Publilius Syrus  

"The essence of pleasure is spontaneity."
-  Germaine Greer

"Why not seize the pleasure at once, how often is happiness destroyed by preparation, foolish preparations."
-  Jane Austen

"Perhaps all pleasure is only relief."
- William Burroughs

"Man, Nietzsche contended, is a being that has leapt beyond the "bestial bounds of the mating season" and seeks pleasure not just at fixed intervals but perpetually.  Since, however, there are fewer sources of pleasure than his perpetual desire for pleasure demands, nature has forced man on the "path of pleasure contrivance."  Man, the creature of consciousness whose horizons extend to the past and the future, rarely attains complete fulfillment within the present, and for this reason experiences something most likely unknown to any animal, namely boredom.  This strange creature seeks a stimulus to release him from boredom.  If no such stimulus is readily available, it simply needs to be created.  Man becomes the animal that plays.  Play is an invention that engages the emotions; it is the art of stimulating the emotions.  Music is a prime example.  Thus, the anthropological and physiological formula for the secret of art: "The flight from boredom is the mother of all art." "
-  Rudiger Safranski, Nietzsche: A Philosophical Biography, p. 23



Seven Pleasures: Essays on Ordinary Happiness  By Willard Spiegelman.  The seven simple pleasures discussed are: dancing, reading, walking, looking, listening, swimming, and writing.  If you included Taijiquan as "dancing" then all of these can be solitary activities.  Picador, 2010.  208 pages.  ISBN: 9780312429676. 

Pleasure and the Good Life: Concerning the Nature, Varieties, and Plausibility of Hedonism.  By Fred Feldman.  Clarendon Press, 2006.  240 pages.  ISBN: 978-0199297603.  VSCL. 

Pleasure and Enjoyment: Quotations, Sayings, Information

Epircurean Philosophy

The Five Senses  

Play

Awareness of Unity

"For the Eastern mystic, all things and events perceived by the senses are interrelated, connected and are but different aspects or manifestations of the same ultimate reality.  Our tendency to divide the perceived world into individual and separate things and to experience ourselves as isolated egos in this world is seen as an illusion which comes from our measuring and categorizing mentally.  It is called avidya, or ignorance, in Buddhist philosophy and is seen as the sate of a disturbed mind which has to be overcome.

'When the mind is disturbed, the multiplicity of things is produced, but when the mind is quieted, the multiplicity of things disappears.'

Although the various schools of Eastern mysticism differ in many details, they all emphasize the basic unity of the universe which is the central feature of their teachings.  The highest aim for their followers - whether they are Hindus, Buddhists or Taoists - is to become aware of the unity and mutual interdependence of all things, to transcend the notion of an isolated individual self and to identify themselves with the ultimate reality.  The emergence of this awareness - known as 'enlightenment'- is not only an intellectual act but is an experience which involves the whole person and is religious in its ultimate nature.  For this reason, most Eastern philosophies are essentially religious philosophies."

-  Fritjof Capra, The Tao of Physics, 25th Anniversary Edition, p. 24  


   In my experience, life is rightly characterized as diverse, complicated, varied, rich in multiplicity, saturated with the 'ten thousand things.'  Personally, I find little need to seek or to find or to have the "experience of unity."  This state of "unification," when actualized, is in most cases rather fleeting.  It may be profound, but no more so that the beauty of complexity and the fascinating reality of diversity.  I do not find the experience of the multiplicity of things distressing, disturbing, or disheartening.  

Just because all of the eggs today are in one basket does not make the colored basket more real or more interesting or more valuable than the eggs.  

Ignoring the facticity of the complexity of the natural and mental realms seems to me a more serious ignorance, not very sensible, and ultimately unwise.  I long ago gave up on any quest for "enlightenment" (in Hindu or Buddhist terms) and prefer the ordinary state of mind grounded in a world that is not simple, not one, not unified, complex, and rich in details.  To claim that our normal experience of complexity and variety is an "illusion" or "ignorance (avidya) seems to me a form of incorrect judgment.  

No doubt, trying to simplify one's life has its benefits, reducing sensory overload can reduce stress, and not becoming overly infatuated with novelty can be helpful; but, pushing on this strange path towards the "enlightenment" or "realization" of a pure and uncluttered "Unity" can produce its own distressing and disturbing predicaments for a person.  

Many philosophers, ancient and modern, have made a sharp distinction between appearances and Reality, the many and the One, the phenomena and the Noumena, and multiplicity and Unity.  For me, it is muddled thinking to call all of our experiences "just fleeting illusions" and fabricate a true realm of being outside of our personal and social and practical experiences.  Indeed, we can't "see" in any ordinary sense of "see," the cells, molecules, atoms, and the subatomic particles that constitute the objects of our macro-cosmic world; but, this in no way means the multiplicity of objects in our ordinary environment are in any way "illusions."  The meaning of "objects" is much more complicated, varied in linguistic usage, and functional in many practical contexts.  Again, complexity is closer to the truth.  

"I, who make no other profession, find in myself such infinite depth and variety, that what I have learned bears no other fruit than to make me realize how much I still have to learn.  To my weakness, so often perceived, I owe my inclination to coolness in my opinions and any hatred for that aggressiveness and quarrelsome arrogance that believes and trust wholly in itself, a mortal enemy of discipline and truth."
- Michel de Montaigne, "Of Experience," 1588

Our selves are, to Montaigne, "wavelike and varying" - ondoyant et divers. 


Complexity and Diversity 

Nature Mysticism:  Resources, Quotes, Notes

Gardening and Mysticism