Showing posts with label Postmodern Poetry. Show all posts
Showing posts with label Postmodern Poetry. Show all posts

Monday, September 28, 2026

Attention, Language and Time by Mike Garofalo



Attention, Language, and Time
Selected Poetry: 2016 - 2026
By Michael P. Garofalo
Poetry WebBook, 85 pages, September 2026. No Ads!

This WebBook is a collection of poems, quips,
quintain stanzas, resource links, lists,
onions, quintain sonnets, docu-poems,
concrete and Text-Art poems, koans,
and hypertext diversions.
All by Mike Garofalo.

It features lifestyles and locales
     in the Pacific Northwest.

It traces the evolution of the poetic voices
     of one old man during a decade.

It offers many examples of
     Quintain Stanzas and Quintain Sonnets.

It essays the front and flanks of Time.

It has a Poem Title Index
                    and a Subject Index.

It provides a free audio-recordings
     of poetry readimgs by Mike Garofalo.

September 27, 2026. Ver. 32. Texts-PreSS Couve Pubs.

 

All Texts-PreSS Couve WebBooks are Free
Ad Free, Open Access, Uncluttered

Attention, Language, and Time .HTML Version

Backup .PDF on 9/27/2026 Version 32. .PDF Version. Unedited.

Spanish Version from Google Translator. .docx Version.


Texts-PreSS Couve Publications, Vancouver, Washington State





"Discover a Decade of Poetic Evolution
in the Pacific Northwest

In Attention, Language and Time: Selected Poetry,
2016 - 2026, poet Michael P. Garofalo invites readers
on a deeply philosophical journey through the landscapes
of the Pacific Northwest and the inescapable currents of
time. Tracing a decade of artistic evolution, this collection
bridges the profound and the everyday---from the rainy
shores of the Olympic Peninsula and backyard Zen 
meditations to the role of memories, river rafting, and
the irreversible march of entropy and aging.

Garofalo’s versatile voice masterfully navigates a rich
array of forms. Readers will find grounded, conversational
narrative verse and highly structured Quintain stanzas and
Quintain Sonnets seamlessly existing alongside avant-garde
conceptual language, Dadaist surrealism, and visual Text-Art
and Concrete Poetry. Whether contemplating the quiet
fading of campfire embers, unraveling local histories, zooming
in on city life, or deconstructing the very syntax of language, 
this work constantly challenges and rewards the reader's
attention.

Available entirely for free, this 85-page, ad-free WebBook
is structured for effortless digital reading. It features intuitive
internal navigation, comprehensive thematic indexes, and
complimentary audio recordings of the author reading his own work.

Experience the intersection of nature, memory, and
language today---without paywalls or interruptions."

- By Mike Garofalo and Ms. Ai

Tuesday, September 15, 2026

Attention, Language and Time

 




Attention, Language and Time
Selected Poetry: 2016 - 2026
By Michael P. Garofalo


This WebBook is a collection of poems, quips, quintain stanzas, resource links, Onions, lists, docu-poems, short studies, reality slices, Kernels, concrete and Text-Art poems, sonnets, and hypertext explorations and diversions.
All by Mike Garofalo.

It features lifestyles and locales in the Pacific Northwest.

It traces the evolution of the poetic voices of one old man during a decade.

It essays the front and flanks of Time.


Poetry WebBook, 60 pages, October 2026. No Ads!


Thursday, September 03, 2026

Rafting Down the Trinity

Rafting Down the Trinity

The river said go easy, so we pushed off,
      letting the raft find its own argument.
The current kept offering us opportunities:
           a bend, a hush, a Class 3 rapid, a sudden lift.
We followed, not knowing how far trust
           could carry us, only that it kept saying "Yes!"

The rubber raft slipped into its thoughts, a quiet logic...
Twisted by river stones, paddles, muscles, and wind
     and the long drag of downhill cold water.

Sunlight leaned into the canyon,
     finding us still where the current slowed.
There the catfish waited without hurry on the bottom.
We felt the day open, wide as the bend ahead.

Morning slid down the canyon
     and the river took it all in, cool and certain.
Our paddles touched the old stories---
     eddies of lore that encircled everyone.

We rafted the long remembering. Grateful to be included.

Later, the wind arrived, ruffling the surface
           into small disagreements.
We answered with strokes that tried to match
           the river’s impatience.
Even the banks seemed to listen, cottonwoods
leaning in as if our passing mattered,
           though we knew it did not.

The water shook us and we were fully ready,
paddling the raft past the damp bark of the alders.
We let the river tumble us over the large boulders,
bouncing us with a sudden, breathless glee.
Everything we meant to say stayed up on the shore;
only the wordless water mattered, and the joy and laughter.

Paddles touched the hush, the canyon walls held their breath.
Water knows the way.
We follow its old thinking, grateful for the hints it keeps.

Toward evening the canyon settled in dim shadows.
The water gathered its memories.
We followed, quieter now, trusting the way it carried us---
     not toward any lesson, but simply forward-down,
     the river doing what it always does,
     and us grateful to be allowed along.

We stopped, made camp, ate French bread and cheese,
drank wine, talked by the fire...

The River moved on in the darkness.
We dreamed of being tossed off the raft.

  



Water Falls Into the Gorge

We drove out to Dougan Falls in the Spring,
       like salmon moving, drawn in by obscure passions.
I followed the ear-opening sacredness that keeps
       coming back to me in the rain of memories.

The stream doesn't care about a trillion rocks.
It goes because it's been blind for many millenniums;
       unlike what the lanky Douglas Firs discovered
              when standing still for decades in the Gorge winds.

My niece never said much about beauty.
       I parked the car, we joined the crowds,
       walked up to Dougan Falls.
We both looked up and didn't speak.


The noisy songs of Cascadian waterfalls:
from high to low, young to old,
flowing down, colder to cold,
into the Columbia River flowing bold;
till it becomes the salty blood
       in the arteries of Oceanus
beyond the south jetty of Living Time.


Excerpts from:

Watching, Language and Time
Selected Works: 2016 - 2026
By Mike Garofalo
A Free WebBook, 70 Pages




Friday, August 21, 2026

Oulipos Coordinates Conceptualized by Mike Garofalo

Oulipos Coordinates Conceptualized

 

I. Punctuated Still-Life

 

                                    &&&&&
                           $$$$$
                  ;;;;;

                             @@@@@

 

#####Counted#####
.....Asserted.....
?????Questioned?????
!!!!!Exclaimed!!!!!
,,,,,Paused,,,,,

 

Compare with four pages of random punctuation
marks by Elizabeth Clark, Between Worlds.

 

II. Hidden Codes

A1 B2 C3 D4 E5
F6 G7 H8 I9 J10
K11 L12 M13 N14 O15

16P 17Q 18R 19S 20T
21U 22V 23W 24X 25Y
               Z26

Compare with six pages of meaningless codes
by Vito Acconci, Removal.

 

III. We/We/We

we see
we want
we steal
we lie
we use AI

Compare with twelve pages of brief phrases
beginning with the word 'my' by
Charles Bernstein, My/My/My.

 

IV. Counting Down

six, sixty, six hundred,
five thousand, five million,
four billion, four trillion,
Three, Two, One
Zero

Compare with ten pages of words for numbers
by Claude Closkey, The First Thousand Numbers

 

V. What?

ArE swbath blaZe muteRing empty RocKet
reD ciTIzenS As he desiBA Ntecello golD
comPlaining FocusDownnn Ulla FideNtia
is KelPt stOne CSChUrch btone threadI
mi sPirghi ch'iO gU di pietro Negator' D'usura

Compare with seven pages of misspelled, invented,
and highlighted Non-Words by John Cage,
Writing Through the Cantos.

 

VI. Seeing Three Ways

 

WinterNorthToday
SpringEastFuture
SummerSouthPast
FallWestNow
YearSpaceTime

 

 

Compare with thousands of concrete poems,
text art, calligrammes, ASCII Text art,
and graphic messages as found in the
Index to Concrete Poetry by Mike Garofalo.


 

Reference Sources:

Against Expression: An Anthology of Conceptual
Writing
, 656 pages, 2011. Edited by Craig Dworkin.

Artifice and Indeterminacy: An Anthology of New Poetics,
392 pages, 1998. Edited by Christopher Beach.

The Marginalization of Poetry: Language Writing
and Literary History
, 187 pages, 1996.
By Bob Perelman.

Slouching Into Incoherence

Bundled Up: 3,700 Quintain Poems, Volumes 1-8


Friday, August 14, 2026

Traces of Differences by Mike Garofalo

 4089.

The time of a claim
Is evidence
Of the claim's truth.
"It was raining"
depends on the day.

 

4090.

Bus Stop Mumbling

a.

a bench holds these
unwritten verbs:
sitting, waiting, holding

b.

cars buzz by the bus stop
two men sit in silence
at the intersection
of waiting and transit

c.

standing at the curb
looking for the green bus
each of us
holding a private memory
of seconds

d.

an electric bike
zips by
silently---
cars roar gasoline

e.

Define: arrival
Define: the space between
here and not-yet-here...
The green bus stopped there!

 

4091.

23C is Perfect for Me

20F = -7C
32F = 0C
40F = 4C
50F = 10C
60F = 15C

70F = 21C
80F = 26C
90F = 32C
100F = 38C
110F = 44C

 

4092.

Air passes before the sun but casts no shadow.
Computers prefer Macintosh apples.
Mathematicians vacation in Times Square.
The evil hen laid deviled eggs.
It would be pointless to use a broken pencil.

 

4093.

Traces of Differences

The square clock counts the taxes of currency, paid to present time.
I tally up the closing years and face the final fee of time.

I cannot find a hitching post to hold the passing days,
The weightless traces of the past are the no-thing marks of ways.

A shredded snake skin curled on the trail is what was left behind,
The fading marks of where we walked become the tracks of time.

An eagle will dive, the wind will blow, and granite will slowly break,
The shifting ways that things interact reveal their intertwining fates.

The chessboard patterns change their shape with every moving hand.
We speak of traces that show our interwoven fates in disappearing land.

 

4094.

because
                            beleagured beings
became                   beligerent
                  bestiality          began

 

Sunday, August 09, 2026

Poetry from A to Z

 VII. Alphabetic Trails

Abecedarian Sextet

All bananas can't' do everything.
Formulas give help in judging.
Keeping loving men noticing.
Only perfectionists quickly revise.
Settled truces universally valued.
Worried xenophobe yells zilch.

 

From ABCED ... VWXYZ

At the beginningAfter the end
Before the endBefore the beginning
Caught in the middleCompromised splits
Divided in betweenDiscovering emptiness
Everything disolvesEmpezar de Nuevo
  
For the RecordFrom that day
Giving it awayGaining respect
Happy I'd sayHands on right
Inner work doneInnocent delights
Just keeping onJoining others now
  
Kicked out hateKissed my mate
Lucked outLeft quite late
MesmerizedMany times
Not surprisedNot compromised
Oh whyOn time
  
People pursuedPursuers persisted
Quite exhaustedQuantities stolen
Really afraidRunning away
Slowly relaxingSecure home
Troubles goneTreasures reborn
  
Uu Uu abcdefghijklmuU uU nopqrstuvwxyz
Very clearlyVirtouosly so
With a Changing KeyWechselndem Schlüssel
Xmas comesXanthia goes
You think you knowYour known
  
Zany at timesZendo zone

 

- Compare with:
See also Paul Celan, Index of Titles A-Z.
Bob Perelman, An Alphabet of Literary History.
Harryette Mullen, Blah-Blah, and Jingle Jangle.

Emperzar de Nuevo = Begin Again/New

Wechselndem Schlüssel = With a Changed Key

BU 3614, 4011, 4413

Poetry by Mike Garofalo

25 Steps and Beyond: Collected Poetry


 

Wednesday, May 21, 2025

Studies of John Ashbery

 

John Ashbery (1927-2017)


Ashbery, John. Notes from the Air: Selected Later Poems. Ecco, 364 pages, 2007, index. VSCL.

Ashbery, John. John Ashbery: Selected Poems. Elisabeth Sifton Books, Penguin, 348 pages, 1986, index. VSCL.

Ashbery, John. The Mooring of Starting Out: The First Five Books of Poetry. Ecco, 1997, 389 pages. VSCL.

Ashbery, John. Self-Portrait in a Convex Mirror. Penguin, 1990, 96 pages. VSCL.

John Ashbery and American Poetry. By David Herd. Manchester University Press, 2009, 245 pages. VSCL.

A Study Guide for John Ashbery's Self-Portrait in a Convex Mirror. Cengage Learning Gale. VSCL.

 

Ashbery, John (1927-2017). John Ashbery: Collected Poems: 1956-1987. Edited by Mark Ford. Library of America, 2008, index, notes, 1,046 pages. FVRL.

Ashbery, John. They Knew What The Wanted: Collages and Poems. Rizzoli Electa, 2018, 128 pages. FVRL.

John Ashbery: Critical Lives. By Jess Cotton. Reaktion, 2023, 224 pages. A critical biography.

The Songs We Know Best: John Ashbery's Early Life. By Karin Roffman. Farrar, 2018, 336 pages. A critical biography.

A Serpentine Gesture: John Ashbery's Poetry and Phenomenology. By Elisabeth W. Joyce. University of New Mexico Press, 2024, 258 pages.

On the Outside Looking Out: John Ashbery's Poetry. By John Shoptaw. Harvard University Press, 1995, 432 pages.

A Study Guide for John Ashbery's Paradoxes and Oxymorons. Cengage Learning Gale.

John Ashbery on UTube: Interviews, Poetry Readings, Critical-Biographical

John Ashbery Books at Powells Bookstore .

John Ashbery Books on Amazon

John Ashbery Kindle E-Books on Amazon


John Ashbery Studies and Research
By Mike Garofalo

Poetry Research Notes by Mike Garofalo

25 Steps and Beyond
The Collected Works of Mike Garofalo


 

     


   


     

 

John Ashbery Studies and Research
By Mike Garofalo

Poetry Research Notes by Mike Garofalo

25 Steps and Beyond
The Collected Works of Mike Garofalo



 

Sunday, April 20, 2025

Message from the Vessel in a Dream: A Review

Message from the Vessel in a Dream. By Christopher Luna. First Flowstone Press Edition, 2018, 130 pages. Printed Matter Vancouver VSCL.

Amazon Review by Mike Garofalo:

This is a fine collection of poems authored by Christopher Luna. His poems are mostly in free verse, hip, Beat style, and contemporary. His justified anger about contemporary injustices and oppression are told in his verses. Mr. Luna’s command of creative Beat Style poetic techniques is impressive. He uses prose narratives, quotations, asides, conversational block poems, italic formatted comments on poets and poetry, references to books and articles, abstract and philosophical ruminations at times, and he provides fresh insights. Most of his carefully crafted poems fit on one page. He is frank and open about sexuality, friendships, drugs, parties, contemporary issues, and alternative lifestyles. His sophisticated bluntness and direct manner are invigorating. His poems are mostly about people, not places or nature. I found his Collage Poems technique (Fecund Labyrinth, pp.61-111) very interesting; and his interest in the Investigative Poetry techniques from Ed Sanders to be stimulating.

I find his poetic messages robust, earthy, life loving, and free, for example: “when awake/ each moment/ is a glorious/ potentially transformative/ high energy, construct/that opens slowly, deliberately/ like the lotus petals/ of a woman’s vulva/ as we stand in awe/ scribbling furiously/ hoping to get it all down/ needing to get it right, dammit.” p.37

I have also purchased two of his edited anthologies: Ghost Town Poetry, Open Mic: Volumes 2 and 3; reviewed elsewhere. Also, Good Reads!

I prefer his other good collage art works rather than the astronaut one used on the cover of this engaging book. But, never judge a book by its cover.

The book provides a detailed autobiography and information about other "Rebel Angel" post-modern poets who have influenced him: Allen Ginsberg, Niki Giovanni, Amiri Baraka, Anne Waldman, Ed Sanders, and Diane di Prima." Mr. Luna is an active leader of poetry Open Mic sessions, a literary coach, an editor, a collage artist, film critic, researcher, jazz musician, and social activist in the City of Vancouver, Washington State. He is an “Outsider,” with an MFA from the Jack Kerouac School of Disembodied Poetics from Naropa University in 1999. He was the Poet Laureate in Vancouver from 2013-2017.

A book deep enough for rereading!


Ghost Town Poetry: Cover to Cover Books, 2004-2010: An Anthology of Poems from the Ghost Town Open Mic Series. Edited by Christopher J. Juna and Toni Partington. 2011, 134 pages. VSCL.

Ghost Town Poetry: Volume Two, 2004-2014. Edited by Christopher Luna and Toni Partington. Cover to Cover Books, Printed Matter Vancouver, WA, 2014, 98 pages. FVRL.

Ghost Town Poetry Open Mic: Volume Three, 2004-2024. Edited by Christopher Luna, Toni Lumbrazo Luna, and Morgan Paige. Printed Matter, Vancouver WA, 2024. 149 pages. Purchased at Birdhouse Books in Vancouver, WA. VSCL. 

Amazon Review by Mike Garofalo:

I was first made aware of this interesting collection when I read a copy of the book borrowed from the Fort Vancouver Regional Library. I found the books artwork, the good poems, and the collage by Christopher Luna to be appealing.

The introduction by Mr. Luna was highly informative and would be useful for anyone trying to establish a local Open Mic poetry reading series in a community. Clark County has over a half million residents, so the nearby fan base of poetry lovers is considerable in the Vancouver, Washington State area where I live. Many interesting people shared their experience, reflections, and poetic compositions.

The poems are challenging, contemporary, hip, inclusive, liberal, woke, and lively. Hearing them read by the authors to the Vancouver Open Mic crowd must have been delightful and thought-provoking.

Although I have lived in Vancouver since 2017, I have never attended an Open Mic session and have not yet met Mr. Luna. I intend to attend my first Open Mic session in Vancouver in April of 2025.

This anthology was edited by Christopher Luna and Toni Partington in 2014.

After reading this book, I purchased “message from the vessel in a dream” authored by Mr. Luna. A very worthwhile purchase for me; reviewed elsewhere. Also, at the local Birdhouse Books bookstore, I purchased a new copy of “Ghost Town Poetry Open Mic: Volume Three, 2004-2024, edited by Chris Luna, Toni Lumbrazo Luna, and Morgan Paige, $20.00.

At 98 pages, this is the smallest chapbook of the three Open Mic anthologies. A very good bargain for a paperback on Amazon.

Book Reviews by Mike Garofalo